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Conversation with Galina Timchenko and Ivan Kolpakov, co-founders of Meduza, CEO and editor-in-chief respectively. Meduza is one of the most important independent media outlets outside of Russia, about Russia, and for Russia, published in Russian and in English.
Galina Timchenko and Ivan Kolpakov from the exile outlet Meduza describe their struggle to keep the independent media platform alive amid heavy internet blocks in Russia and growing financial pressure. Timchenko calls it a “war of attrition” waged by the Kremlin against free media.
The latest episode of “Our Window to Russia” focuses on the lives of young people in Russia. What’s happening in schools and universities? How present is state propaganda in daily life? And what role do church and state play in shaping the next generation? We speak with journalist Ekaterina Martynova from DOXA.
Swissinfo asked Olga Sadovskaya, vice-chair of rights group The Crew Against TortureExternal link and vice-president of the World Organization Against TortureExternal link, to demonstrate how Russia’s digital Iron Curtain works with and without a VPN. [Spoiler: Swissinfo’s website doesn’t load in the country without one.]
The course focuses on discussions and presentations by industry experts specialising in organisational transformation, audience development, and business models. It’s an opportunity for participants to step back from day-to-day operations, share experiences off-the-record with colleagues from other news organisations, expand their professional networks, and develop strategies for their own organisations.
In this podcast episode, we talk to Sergey Lukashevskiy about his work as a Russian exile journalist in Germany. Since 2022, he has been building “Radio Sakharov” as an exile media outlet. He discusses the challenges of exile journalism, human rights in Russia, and reporting on a country he can no longer return to.
Last summer, Russian authorities began throttling YouTube playback speeds, rendering the popular video platform practically unusable. This has pushed many Russians to change their media consumption habits. Meduza analyzes the current and potential consequences of the Kremlin’s ongoing campaign against YouTube.
In a report on audience strategies, Reuters Institute journalist fellow Maria Kiseleva examines which platforms Russian exiled media use to continue reaching audiences inside the country. The report, which focuses on platform shifts and monetization strategies, also draws on research by the JX Fund.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
Kremlin spokesman Dmitry Peskov recently gave an interview to the Russian magazine Expert about the state of the country’s media following nearly three-and-a-half years of full-scale war. Peskov said that Russia is currently experiencing “a time of wartime censorship — unprecedented for our country.”
“Before I was just seen as a journalist in exile. Now, no one in Russia wants to be linked to someone labeled a terrorist.” Armen Aramyan, DOXA Journal’s Founding Editor, speaks about his recent arrest in absentia, the spread of global authoritarianism, and the state of independent Russian media in exile.
A Russian journalist recounts returning from exile to report undercover inside Russia, navigating fear, surveillance, and censorship while challenging the overly bleak narratives often portrayed by exile media. They argue that repression is real but selective, and that the country remains socially complex and more nuanced than many abroad believe.
On June 11, at Berlin’s Kunstraum Kreuzberg/Bethanien gallery, Meduza publisher Galina Timchenko sat down with sociologist Polina Aronson for a conversation about the emotional toll of today’s news cycle — on both readers and journalists. One of the questions raised during the Q&A was how censorship is reshaping the ways newsrooms connect with their audiences.
The Pulitzer Center is now accepting applications for its initiative focused on climate change and its effects on workers and work. As the world heats up, what jobs and employment sectors, what factory practices, what sorts of manufacturing–from computer chips to batteries to food production to fast-fashion–are threatened or must change
“This is evidence for the future. It’s critical to document these crimes now, even if justice is delayed,” says Maria Zholobova, a Russian journalist in exile and an ICFJ Jim Hoge Reporting Fellow, who investigated how the son of Ukraine’s ousted president allegedly profits from Ukraine’s Russian-occupied territories.
Inside Russia, journalists carry on working — risking arrest, surveillance, and the safety of their families, or navigating the shifting boundaries of state censorship. Meduza spoke with several of them about the constraints they face, the stories they can no longer tell, and how they view their colleagues in exile.
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.
This article explores how Russian opposition media, forced into exile after the 2022 crackdown, continue reaching audiences through platforms like YouTube and VPNs. It highlights their growing dependence on viewer donations, the impact of lost international funding, and the ongoing struggle to sustain independent journalism under increasing pressure.