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Syria’s nearly 14-year-long civil war has changed shape. Though there is still fighting and instability, the political transition means many who fled are beginning to return home. Yet for Sara Kontar, a Syrian photographer who has lived in France for nearly a decade, return remains impossible.
When war broke out in Sudan in April 2023, a group of young Sudanese filmmakers were forced into exile. They also had to rethink their film. Khartoum (2025) had started out a year earlier as a collection of quiet observational sketches of ordinary lives in the capital. Now, it had to be reimagined as both the storytellers and their subjects scattered across borders.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
The team of the revolutionary newspaper Enab Baladi has returned to Syria. Why it is important to show a presence on the ground now is explained by co-founder Kholoud Helmi.
On a typical evening in the heart of Paris, Taha Siddiqui can be found at his bar, greeting customers and pouring drinks. During busy nights, he’s organizing events there, with an Afghan poet reading her work, anti-war Russian musicians in a punk band, or a director sharing their documentary — all, like him, finding refuge in France. But long before he became a bar owner, Siddiqui was one of Pakistan’s most high-profile investigative journalists, determined to expose corruption and government abuses. In 2018, he fled to Paris, where he has lived in exile ever since.
Said Najib Asil, founder of the Free Speech Centre and former head of Current Affairs at TOLOnews, shares his journey from leading Afghan media to supporting exiled journalists worldwide. In this interview, he discusses advocacy, training, and the urgent needs of displaced media workers facing professional, economic, and mental health challenges.
In 2015, over a million people from Syria, Afghanistan, and Iraq sought safety in Germany, including journalists. This movement reshaped politics, society, and journalism, raising new challenges. The latest “Bonjourno” podcast episode explores the experiences and challenges of exile journalism in this context.
With all civil liberties stripped away in Nicaragua, independent journalism in exile has become the last stronghold of freedom to investigate and report the truth. Earlier this month, for International Journalists’ Day (September 8), we shared a special feature on Nicaraguan journalism that has resisted and overcome censorship in Nicaragua for more than seven years.
In contexts of exile and censorship, several independent media outlets have turned to creating original products — leveraging their brand identity, analytical expertise, or connection to specific audiences.
Ahmad Wali Temori fled Afghanistan in 2015 and began a new life in Berlin. Ten years after the major refugee wave, he reflects on the deep divide in his identity — between the memories of his childhood and the realities of exile.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
Kremlin spokesman Dmitry Peskov recently gave an interview to the Russian magazine Expert about the state of the country’s media following nearly three-and-a-half years of full-scale war. Peskov said that Russia is currently experiencing “a time of wartime censorship — unprecedented for our country.”
In today’s independent media ecosystem, membership programs — distinct from traditional “subscriptions” — and grassroots fundraising campaigns are becoming increasingly relevant, particularly for nonprofit outlets. The logic behind these models is simple but powerful: if you cultivate a loyal, engaged, and appreciative community, you can invite them to support your work financially.
The systematic and relentless persecution orchestrated by the Ortega-Murillo regime has led to the closure, confiscation, and expulsion of hundreds of independent media outlets and journalists from the country. For many, exile has become the only way to escape censorship, threats, and physical attacks – and to continue reporting.
For over four decades, Persian-language media in exile have played an influential, often contentious role in shaping public discourse about Iran. Emerging in response to the silencing of dissent and the monopolization of narratives by the Islamic Republic, these media outlets created a parallel space of dialogue and imagination.
Lucía Pineda Ubau is the director of the news channel 100% Noticias and has been living in exile in Costa Rica since 2019. Her homeland, Nicaragua, has been under repressive rule since 2007, when President Daniel Ortega started systematically building an autocratic government, including pressuring political opponents who were increasingly criticizing him.
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.