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Russia is increasingly branding journalists as “terrorists.” In October 2025, the state labeled Dozhd TV’s editor-in-chief a terrorist; weeks later, two more exiled media figures joined a blacklist alongside ISIS and Navalny’s organization. They are not alone — at least 60 media workers now appear on Russia’s “Terrorist and Extremist” list.
In Belarus, remembering has become political. Exiled journalist Olga Bubich describes how documenting grief and protest can lead to arrest, as authorities tightly control both history and the present. Her Tagesspiegel essay explores a struggle over memory, truth, and who gets to record reality.
Thomas Erdbrink’s documentary series Onze man bij de vijand about Russia primarily features Russians who support president Putin and the war in Ukraine, says journalist Pavel Kanygin, who fled his country and now lives in Amsterdam. That’s certainly not the whole story, he emphasizes in this op-ed.
Operating largely from exile after being blocked in Belarus and disrupted by the war in Ukraine, Tribuna.com has rebuilt itself as a global, remote sports media platform. The piece shows how it adapted to displacement and political pressure by combining journalism, technology, and fan communities into a resilient, product-driven media model.
Authorities in Russia are expanding their surveillance to monitor not just journalists but also the audiences of independent media. This growing crackdown intimidates citizens who access alternative news and complicates efforts by exiled outlets to reach people inside the country, highlighting new risks for both readers and reporters.
Nastassia Rouda, director of Belarusian outlet Nasha Niva, shares how her team continues reporting from exile in Vilnius. Using creative content, humor, and social media, they stay relevant inside Belarus despite political repression and economic hardships, keeping audiences engaged and preserving free media for Belarusians across generations.
Larysa Shchyrakova from Homiel worked at Belsat almost from the very beginning, since 2008. The journalist did not have a quiet life even before 2020, but after the protests and mass repressions began, life turned into a waiting game — when will they come for her? Larysa says that when they really came, she exhaled, because she could no longer be afraid.
Since Putin’s full-scale invasion of Ukraine began in February 2022, almost every independent journalist has been exiled from Russia. For more than three years, journalists in exile have tried to continue their work from afar in a concerted effort to preserve the service of truth. Ten days ago, the Kremlin added Kostyuchenko to its list of foreign agents.
Ivan Kolpakov is the editor-in-chief at Meduza, the largest independent media outlet focusing on Russia. The organization has been in exile since Kolpakov co-founded the organization in 2014 with Galina Timchenko. DW Akademie spoke to the journalist and editor about what it is like to spend more than a decade reporting on his country from abroad.
The collection tells the story of the laureates of the “Voice of the Freedom Generation” award, founded by the Belarusian PEN in partnership with the Human Rights Center “Viasna”, the Belarusian Association of Journalists, Press Club Belarus and Free Press for Eastern Europe endowment fund.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Reporters Without Borders (RSF) warns of Russia’s growing use of in absentia convictions against exiled Russian journalists and foreign media professionals. This repressive legal tactic is used to intimidate journalists, block their return to Russia and pressure their relatives, and has become commonplace since the full-scale invasion of Ukraine.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
For decades, Belarus was considered a “blank spot” on the international map of investigative journalism. Its government consistently ranks as the least open in Europe. Despite this, investigative journalism is in its best state ever, with the Belarusian Investigative Center (BIC) at the forefront.
A new Russian law – which came into effect in September – punishes online searches for what the government labels ‘extremist content’. But while the Kremlin has published a list of more than 5,000 banned websites, there’s still little clarity surrounding the law’s implementation and what makes the designated content ‘extremist’.
The Belarusian-Ukrainian publisher has grown to over 200 employees in 28 countries, fuelled by community features and a new tech platform in its bid to challenge established players. As traditional media business models falter, publishers are searching for new ways to engage audiences and generate revenue. For the sports media network Tribuna, the answer lies in a major technological and global expansion.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
Kremlin spokesman Dmitry Peskov recently gave an interview to the Russian magazine Expert about the state of the country’s media following nearly three-and-a-half years of full-scale war. Peskov said that Russia is currently experiencing “a time of wartime censorship — unprecedented for our country.”