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In Belarus, remembering has become political. Exiled journalist Olga Bubich describes how documenting grief and protest can lead to arrest, as authorities tightly control both history and the present. Her Tagesspiegel essay explores a struggle over memory, truth, and who gets to record reality.
For the first time in the history of the Reporters Without Borders (RSF) World Press Freedom Index, over half of the world’s countries now fall into the “difficult” or “very serious” categories for press freedom. In 25 years, the average score of all 180 countries and territories surveyed in the Index has never been so low.
The PEN International Case List’s primary role is to inform its membership and others engaged in advocacy for free expression and serves to enable PEN Centres to identify where their focus could be. It does not, therefore, attempt to be a comprehensive list of attacks on writers, but an indication – a weathervane – of where the problems lie in any given year, enabling reflection on patterns and trends that can serve to inform future actions.
Thomas Erdbrink’s documentary series Onze man bij de vijand about Russia primarily features Russians who support president Putin and the war in Ukraine, says journalist Pavel Kanygin, who fled his country and now lives in Amsterdam. That’s certainly not the whole story, he emphasizes in this op-ed.
Last year, governments all over the world assassinated, assaulted, kidnapped, threatened, and harassed critics beyond their borders. Freedom House recorded 126 new incidents of physical, direct transnational repression during the year, bringing the total number of cases in our database, which spans 2014 to 2025, to 1,375.
What does it take to address the funding needs of public interest media with locally anchored solutions? Public interest media remains an essential pillar of democratic societies. Ensuring its future will require funding systems that are more diverse, more resilient, and more locally rooted than before. This report provides valuable insights into what it takes to begin building those systems.
Operating largely from exile after being blocked in Belarus and disrupted by the war in Ukraine, Tribuna.com has rebuilt itself as a global, remote sports media platform. The piece shows how it adapted to displacement and political pressure by combining journalism, technology, and fan communities into a resilient, product-driven media model.
Reporters Without Borders investigates how the Chinese state’s global media strategy aims to extend control over international information and narratives, from expanding state broadcasters abroad to influencing foreign media and exporting censorship models. The report warns this push could threaten independent journalism and press freedom worldwide.
Nastassia Rouda, director of Belarusian outlet Nasha Niva, shares how her team continues reporting from exile in Vilnius. Using creative content, humor, and social media, they stay relevant inside Belarus despite political repression and economic hardships, keeping audiences engaged and preserving free media for Belarusians across generations.
Larysa Shchyrakova from Homiel worked at Belsat almost from the very beginning, since 2008. The journalist did not have a quiet life even before 2020, but after the protests and mass repressions began, life turned into a waiting game — when will they come for her? Larysa says that when they really came, she exhaled, because she could no longer be afraid.
This report introduces the previously unknown Spyware ResidentBat used by the Belarussian secret service KGB. It targets Android phones and is installed through physical device access. Broad application permissions and an accessibility service allow the app access to a wide range of data, spanning phone calls, SMS, encrypted messenger chats and files on the phone.
On the occasion of the International Day for the Elimination of Violence against Women, the European Federation of Journalists (EFJ) is releasing a new report “Ending the Silence on Online Harassment of Journalists”. Authored by journalist and tech policy advisor Elodie Vialle, the report provides an overview of the widespread phenomenon that is online harassment targeting journalists, whose normalisation makes it harder to address.
Since Putin’s full-scale invasion of Ukraine began in February 2022, almost every independent journalist has been exiled from Russia. For more than three years, journalists in exile have tried to continue their work from afar in a concerted effort to preserve the service of truth. Ten days ago, the Kremlin added Kostyuchenko to its list of foreign agents.
Ivan Kolpakov is the editor-in-chief at Meduza, the largest independent media outlet focusing on Russia. The organization has been in exile since Kolpakov co-founded the organization in 2014 with Galina Timchenko. DW Akademie spoke to the journalist and editor about what it is like to spend more than a decade reporting on his country from abroad.
The collection tells the story of the laureates of the “Voice of the Freedom Generation” award, founded by the Belarusian PEN in partnership with the Human Rights Center “Viasna”, the Belarusian Association of Journalists, Press Club Belarus and Free Press for Eastern Europe endowment fund.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
Defending trustworthy news means knowing how to counter the propaganda tactics that oppose reliable reporting to further ideological goals. To this end, Reporters Without Borders (RSF) has published a new report compiling all the content from The Propaganda Monitor, a website dedicated to exposing the way propaganda and disinformation operate so they can be tackled.