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For weeks in the spring of 2026, residents of Moscow experienced major disruption as mobile internet shutdowns which had earlier affected several Russian regions finally reached the capital. While the partial shutdowns were softened in the following weeks, internet users across Russia continued to experience serious difficulties accessing most websites…
Russia is increasingly branding journalists as “terrorists.” In October 2025, the state labeled Dozhd TV’s editor-in-chief a terrorist; weeks later, two more exiled media figures joined a blacklist alongside ISIS and Navalny’s organization. They are not alone — at least 60 media workers now appear on Russia’s “Terrorist and Extremist” list.
“People of Baikal” is an online media outlet that has been operating since 2019 in regions that other independent media outlets rarely reach – the Irkutsk and Buryatia region. The female journalists working for “People of Baikal” report on the life in small cities and villages, in which poverty and hopelessness coexist.
Thomas Erdbrink’s documentary series Onze man bij de vijand about Russia primarily features Russians who support president Putin and the war in Ukraine, says journalist Pavel Kanygin, who fled his country and now lives in Amsterdam. That’s certainly not the whole story, he emphasizes in this op-ed.
Authorities in Russia are expanding their surveillance to monitor not just journalists but also the audiences of independent media. This growing crackdown intimidates citizens who access alternative news and complicates efforts by exiled outlets to reach people inside the country, highlighting new risks for both readers and reporters.
Since Putin’s full-scale invasion of Ukraine began in February 2022, almost every independent journalist has been exiled from Russia. For more than three years, journalists in exile have tried to continue their work from afar in a concerted effort to preserve the service of truth. Ten days ago, the Kremlin added Kostyuchenko to its list of foreign agents.
Ivan Kolpakov is the editor-in-chief at Meduza, the largest independent media outlet focusing on Russia. The organization has been in exile since Kolpakov co-founded the organization in 2014 with Galina Timchenko. DW Akademie spoke to the journalist and editor about what it is like to spend more than a decade reporting on his country from abroad.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Reporters Without Borders (RSF) warns of Russia’s growing use of in absentia convictions against exiled Russian journalists and foreign media professionals. This repressive legal tactic is used to intimidate journalists, block their return to Russia and pressure their relatives, and has become commonplace since the full-scale invasion of Ukraine.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
A new Russian law – which came into effect in September – punishes online searches for what the government labels ‘extremist content’. But while the Kremlin has published a list of more than 5,000 banned websites, there’s still little clarity surrounding the law’s implementation and what makes the designated content ‘extremist’.
Last summer, Russian authorities began throttling YouTube playback speeds, rendering the popular video platform practically unusable. This has pushed many Russians to change their media consumption habits. Meduza analyzes the current and potential consequences of the Kremlin’s ongoing campaign against YouTube.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.
A Meduza journalist working undercover in Russia describes living a double life, hiding their identity from both friends and sources. Balancing safety, fear, and the burden of secrecy, they reflect on censorship, impostor syndrome, and the emotional toll of reporting anonymously in a society where many no longer want to hear the truth.
Alesya Sokolova on how the relatively low popularity of independent media may be influenced not only by censorship but also by the choice of topics and the tone of content. While censorship remains the biggest obstacle, audience fatigue with negativity and a narrow thematic focus may also push even opposition-minded readers away.
After the war in Ukraine began, several journalists from Novaya Gazeta left the country and started the media outlet in exile, Novaya Gazeta Europe. Ekaterina Glikman, deputy editor-in-chief of Novaya Gazeta Europe, talks about the challenges of working as a journalist in exile in Switzerland, and how the new media outlet covers events in Ukraine and Russia.