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Alexander Udikov’s Medium blog offers personal insights into life as a Russian journalist forced into exile after persecution for anti‑war articles. Since receiving political asylum in France in 2024, Udikov chronicles daily life, bureaucratic hurdles, creative workarounds and the ongoing challenge of staying true to independent journalism beyond Russia’s censorship.
Since Putin’s full-scale invasion of Ukraine began in February 2022, almost every independent journalist has been exiled from Russia. For more than three years, journalists in exile have tried to continue their work from afar in a concerted effort to preserve the service of truth. Ten days ago, the Kremlin added Kostyuchenko to its list of foreign agents.
Ivan Kolpakov is the editor-in-chief at Meduza, the largest independent media outlet focusing on Russia. The organization has been in exile since Kolpakov co-founded the organization in 2014 with Galina Timchenko. DW Akademie spoke to the journalist and editor about what it is like to spend more than a decade reporting on his country from abroad.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
Kremlin spokesman Dmitry Peskov recently gave an interview to the Russian magazine Expert about the state of the country’s media following nearly three-and-a-half years of full-scale war. Peskov said that Russia is currently experiencing “a time of wartime censorship — unprecedented for our country.”
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.
A Meduza journalist working undercover in Russia describes living a double life, hiding their identity from both friends and sources. Balancing safety, fear, and the burden of secrecy, they reflect on censorship, impostor syndrome, and the emotional toll of reporting anonymously in a society where many no longer want to hear the truth.
In the article, journalist Nikita Sologub shares how independent media like Mediazona continue reporting in Russia despite mounting repression. Founded to expose abuses in the Russian prison system, Mediazona has operated for over a decade, even as press freedom has deteriorated and the state increasingly targets dissenting voices.
Claire Murphy reports on the plight of Russian journalist Lilia Yapparova, who fled to Latvia after the Kremlin’s crackdown on independent media. Yapparova, along with hundreds of other Russian journalists, has found refuge in Latvia, a country that offers crucial support through organizations like Media Hub Riga.
Exiled Russian media site IStories has shared with GIJN how it built an AI-powered database of Russian military war dead and missing, and why it was worth creating. Katya Bonch-Osmolovskaya, editor of IStories’ data department, explains how the AI was trained, what kind of data Charon can collect, and why journalists should start learning to work with neural networks.
Benjamin Quénelle reports about the efforts of Russian journalists in exile who are discreetly training young reporters still living under the country’s oppressive media landscape. Despite the risks, these aspiring journalists are determined to pursue fair and honest reporting, even as Russia ranks 162nd globally for press freedom.
Since March 2022, The Moscow Times has had to operate in exile from Amsterdam. Like dozens of other exile media outlets, it endures impossible conditions and high security risks to be a beacon of hope. A visit to the newsroom.
A February 2025 report from the Inter‑American Dialogue outlines a comprehensive roadmap for protecting independent journalism in closed and repressive environments. Drawing on insights from media practitioners and experts, it sets out strategies to strengthen legal guarantees, sustainability, safety and resilience, offering actionable ideas to support journalists and news outlets under threat at home or in exile.
After the war in Ukraine began, several journalists from Novaya Gazeta left the country and started the media outlet in exile, Novaya Gazeta Europe. Ekaterina Glikman, deputy editor-in-chief of Novaya Gazeta Europe, talks about the challenges of working as a journalist in exile in Switzerland, and how the new media outlet covers events in Ukraine and Russia.
Lilia Yapparova explores the crisis within Russia’s exiled opposition three years into the war, as internal divisions and the death of Alexey Navalny leave many anti-war Russians feeling disillusioned and unrepresented. She examines the movement’s fragmentation, the challenges faced by its leaders in exile, and the uncertain future of Russia’s pro-democracy forces.
Russia’s Federal Security Service (FSB) has designated the independent media outlet Komi Daily as a “terrorist organization”. This marks the first time the FSB has applied such a label to a media outlet. The Supreme Court finalized the designation in late December, intensifying Russia’s suppression of dissenting voices, particularly the independent media critical of the Kremlin.