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When journalist Olga Churakova was declared a “foreign agent” by her own government, she had to rebuild her life in exile. She found a new sense of belonging in a community of anonymous podcast listeners. In this piece, Churakova shares with DW Akademie her story.
Russia is increasingly branding journalists as “terrorists.” In October 2025, the state labeled Dozhd TV’s editor-in-chief a terrorist; weeks later, two more exiled media figures joined a blacklist alongside ISIS and Navalny’s organization. They are not alone — at least 60 media workers now appear on Russia’s “Terrorist and Extremist” list.
Thomas Erdbrink’s documentary series Onze man bij de vijand about Russia primarily features Russians who support president Putin and the war in Ukraine, says journalist Pavel Kanygin, who fled his country and now lives in Amsterdam. That’s certainly not the whole story, he emphasizes in this op-ed.
Authorities in Russia are expanding their surveillance to monitor not just journalists but also the audiences of independent media. This growing crackdown intimidates citizens who access alternative news and complicates efforts by exiled outlets to reach people inside the country, highlighting new risks for both readers and reporters.
Alexander Udikov’s Medium blog offers personal insights into life as a Russian journalist forced into exile after persecution for anti‑war articles. Since receiving political asylum in France in 2024, Udikov chronicles daily life, bureaucratic hurdles, creative workarounds and the ongoing challenge of staying true to independent journalism beyond Russia’s censorship.
Since Putin’s full-scale invasion of Ukraine began in February 2022, almost every independent journalist has been exiled from Russia. For more than three years, journalists in exile have tried to continue their work from afar in a concerted effort to preserve the service of truth. Ten days ago, the Kremlin added Kostyuchenko to its list of foreign agents.
Ivan Kolpakov is the editor-in-chief at Meduza, the largest independent media outlet focusing on Russia. The organization has been in exile since Kolpakov co-founded the organization in 2014 with Galina Timchenko. DW Akademie spoke to the journalist and editor about what it is like to spend more than a decade reporting on his country from abroad.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Reporters Without Borders (RSF) warns of Russia’s growing use of in absentia convictions against exiled Russian journalists and foreign media professionals. This repressive legal tactic is used to intimidate journalists, block their return to Russia and pressure their relatives, and has become commonplace since the full-scale invasion of Ukraine.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
A new Russian law – which came into effect in September – punishes online searches for what the government labels ‘extremist content’. But while the Kremlin has published a list of more than 5,000 banned websites, there’s still little clarity surrounding the law’s implementation and what makes the designated content ‘extremist’.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.
A Meduza journalist working undercover in Russia describes living a double life, hiding their identity from both friends and sources. Balancing safety, fear, and the burden of secrecy, they reflect on censorship, impostor syndrome, and the emotional toll of reporting anonymously in a society where many no longer want to hear the truth.
In the article, journalist Nikita Sologub shares how independent media like Mediazona continue reporting in Russia despite mounting repression. Founded to expose abuses in the Russian prison system, Mediazona has operated for over a decade, even as press freedom has deteriorated and the state increasingly targets dissenting voices.
Claire Murphy reports on the plight of Russian journalist Lilia Yapparova, who fled to Latvia after the Kremlin’s crackdown on independent media. Yapparova, along with hundreds of other Russian journalists, has found refuge in Latvia, a country that offers crucial support through organizations like Media Hub Riga.
Exiled Russian media site IStories has shared with GIJN how it built an AI-powered database of Russian military war dead and missing, and why it was worth creating. Katya Bonch-Osmolovskaya, editor of IStories’ data department, explains how the AI was trained, what kind of data Charon can collect, and why journalists should start learning to work with neural networks.
Benjamin Quénelle reports about the efforts of Russian journalists in exile who are discreetly training young reporters still living under the country’s oppressive media landscape. Despite the risks, these aspiring journalists are determined to pursue fair and honest reporting, even as Russia ranks 162nd globally for press freedom.