JX Fund – European Fund for Journalism in Exile

The Belarus government continued systematic persecution of the independent press within the overall context of its fight against dissent in 2025. The pressure on media workers intensified on the eve of Aliaksandr Lukashenka’s election on January 26, 2025 as well as in April 2025, when the few still operating independent regional media outlets suffered from searches and crackdowns in the governmental propaganda channels.

Authorities in Russia are expanding their surveillance to monitor not just journalists but also the audiences of independent media. This growing crackdown intimidates citizens who access alternative news and complicates efforts by exiled outlets to reach people inside the country, highlighting new risks for both readers and reporters.

Alexander Udikov’s Medium blog offers personal insights into life as a Russian journalist forced into exile after persecution for anti‑war articles. Since receiving political asylum in France in 2024, Udikov chronicles daily life, bureaucratic hurdles, creative workarounds and the ongoing challenge of staying true to independent journalism beyond Russia’s censorship.

Journalist and propaganda expert Pavlyuk Bykovsky analyzes the role propaganda plays in the Lukashenko regime and how it has evolved since the mass protests of 2020. Bykovsky’s contribution not only helps to understand the specific principles of the Lukashenko dictatorship, but also sheds light on the general mechanisms of propaganda and disinformation.

Reporters Without Borders (RSF) warns of Russia’s growing use of in absentia convictions against exiled Russian journalists and foreign media professionals. This repressive legal tactic is used to intimidate journalists, block their return to Russia and pressure their relatives,  and has become commonplace since the full-scale invasion of Ukraine.

A new Russian law – which came into effect in September – punishes online searches for what the government labels ‘extremist content’. But while the Kremlin has published a list of more than 5,000 banned websites, there’s still little clarity surrounding the law’s implementation and what makes the designated content ‘extremist’.

The Belarusian-Ukrainian publisher has grown to over 200 employees in 28 countries, fuelled by community features and a new tech platform in its bid to challenge established players. As traditional media business models falter, publishers are searching for new ways to engage audiences and generate revenue. For the sports media network Tribuna, the answer lies in a major technological and global expansion.

EUvsDisinfo has published an article detailing how Lukashenka’s regime continues its harsh retaliation against Belarusians five years after the 2020 protests. The piece highlights ongoing arrests, torture, and exile as part of the government’s efforts to suppress dissent and maintain control.

Last summer, Russian authorities began throttling YouTube playback speeds, rendering the popular video platform practically unusable. This has pushed many Russians to change their media consumption habits. Meduza analyzes the current and potential consequences of the Kremlin’s ongoing campaign against YouTube.

Kremlin spokesman Dmitry Peskov recently gave an interview to the Russian magazine Expert about the state of the country’s media following nearly three-and-a-half years of full-scale war. Peskov said that Russia is currently experiencing “a time of wartime censorship — unprecedented for our country.”

Dissidents who have fled Alexander Lukashenko’s rule in Belarus have spoken of threats being made against them and their relatives at home. Hundreds of thousands of Belarusians are estimated to have left their country since the brutal crackdown on widespread opposition protests in 2020, after Lukashenko, 70, claimed victory in presidential elections that were widely condemned as rigged.

More than 60 exiled Belarusian journalists face criminal charges under opaque “special proceedings” that allow convictions in absentia. Authorities seize property, harass relatives, and label journalists as extremists in a sweeping campaign of transnational repression. Many now self-censor or work anonymously to protect themselves and their families.

Like much of Belarus’s independent media sector, Hrodna.life is struggling for sustainability in exile. Forced to relocate to the EU, the team lost not only the advertising market but also direct contact with the audience it serves. They saved themselves from prison but lost the opportunity to breathe the same air as their readers – and this is crucial for local media like theirs.

In the article, journalist Nikita Sologub shares how independent media like Mediazona continue reporting in Russia despite mounting repression. Founded to expose abuses in the Russian prison system, Mediazona has operated for over a decade, even as press freedom has deteriorated and the state increasingly targets dissenting voices.

Iryna Khalip is a prominent Belarusian journalist who has spent her career exposing corruption and human rights abuses, often at great personal risk. Her investigative reporting on political and social issues in Belarus has made her a target of state persecution. Since going into exile in 2020, Khalip has continued her reporting for the Latvia-based Novaya Gazeta Europe.

Claire Murphy reports on the plight of Russian journalist Lilia Yapparova, who fled to Latvia after the Kremlin’s crackdown on independent media. Yapparova, along with hundreds of other Russian journalists, has found refuge in Latvia, a country that offers crucial support through organizations like Media Hub Riga.

Alesya Sokolova on how the relatively low popularity of independent media may be influenced not only by censorship but also by the choice of topics and the tone of content. While censorship remains the biggest obstacle, audience fatigue with negativity and a narrow thematic focus may also push even opposition-minded readers away.

Exiled Russian media site IStories has shared with GIJN how it built an AI-powered database of Russian military war dead and missing, and why it was worth creating. Katya Bonch-Osmolovskaya, editor of IStories’ data department, explains how the AI was trained, what kind of data Charon can collect, and why journalists should start learning to work with neural networks.