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Censorship, recruitment attempts by the FSB, propaganda in universities, forced emigration, anonymous bylines, and financial hardship are among the manage challenges that young Russian journalists face today. Vazhnye Istory spoke with several early-career journalists about the realities of working in the profession in Russia today.
Authorities in Russia are expanding their surveillance to monitor not just journalists but also the audiences of independent media. This growing crackdown intimidates citizens who access alternative news and complicates efforts by exiled outlets to reach people inside the country, highlighting new risks for both readers and reporters.
Since Putin’s full-scale invasion of Ukraine began in February 2022, almost every independent journalist has been exiled from Russia. For more than three years, journalists in exile have tried to continue their work from afar in a concerted effort to preserve the service of truth. Ten days ago, the Kremlin added Kostyuchenko to its list of foreign agents.
Ivan Kolpakov is the editor-in-chief at Meduza, the largest independent media outlet focusing on Russia. The organization has been in exile since Kolpakov co-founded the organization in 2014 with Galina Timchenko. DW Akademie spoke to the journalist and editor about what it is like to spend more than a decade reporting on his country from abroad.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Reporters Without Borders (RSF) warns of Russia’s growing use of in absentia convictions against exiled Russian journalists and foreign media professionals. This repressive legal tactic is used to intimidate journalists, block their return to Russia and pressure their relatives, and has become commonplace since the full-scale invasion of Ukraine.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
Defending trustworthy news means knowing how to counter the propaganda tactics that oppose reliable reporting to further ideological goals. To this end, Reporters Without Borders (RSF) has published a new report compiling all the content from The Propaganda Monitor, a website dedicated to exposing the way propaganda and disinformation operate so they can be tackled.
A new Russian law – which came into effect in September – punishes online searches for what the government labels ‘extremist content’. But while the Kremlin has published a list of more than 5,000 banned websites, there’s still little clarity surrounding the law’s implementation and what makes the designated content ‘extremist’.
Galina Timchenko and Ivan Kolpakov from the exile outlet Meduza describe their struggle to keep the independent media platform alive amid heavy internet blocks in Russia and growing financial pressure. Timchenko calls it a “war of attrition” waged by the Kremlin against free media.
Swissinfo asked Olga Sadovskaya, vice-chair of rights group The Crew Against TortureExternal link and vice-president of the World Organization Against TortureExternal link, to demonstrate how Russia’s digital Iron Curtain works with and without a VPN. [Spoiler: Swissinfo’s website doesn’t load in the country without one.]
In a report on audience strategies, Reuters Institute journalist fellow Maria Kiseleva examines which platforms Russian exiled media use to continue reaching audiences inside the country. The report, which focuses on platform shifts and monetization strategies, also draws on research by the JX Fund.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
On June 11, at Berlin’s Kunstraum Kreuzberg/Bethanien gallery, Meduza publisher Galina Timchenko sat down with sociologist Polina Aronson for a conversation about the emotional toll of today’s news cycle — on both readers and journalists. One of the questions raised during the Q&A was how censorship is reshaping the ways newsrooms connect with their audiences.
“This is evidence for the future. It’s critical to document these crimes now, even if justice is delayed,” says Maria Zholobova, a Russian journalist in exile and an ICFJ Jim Hoge Reporting Fellow, who investigated how the son of Ukraine’s ousted president allegedly profits from Ukraine’s Russian-occupied territories.
Inside Russia, journalists carry on working — risking arrest, surveillance, and the safety of their families, or navigating the shifting boundaries of state censorship. Meduza spoke with several of them about the constraints they face, the stories they can no longer tell, and how they view their colleagues in exile.
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.
This article explores how Russian opposition media, forced into exile after the 2022 crackdown, continue reaching audiences through platforms like YouTube and VPNs. It highlights their growing dependence on viewer donations, the impact of lost international funding, and the ongoing struggle to sustain independent journalism under increasing pressure.