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Journalists usually report the news, not live it. At NEMO’s latest Knowledge Exchange Session, representatives from independent exiled media organizations turned that around, reflecting on their own experience of forced relocation: rebuilding infrastructure, securing digital access, and starting over in unfamiliar countries.
Russia’s full-scale invasion of Ukraine in February 2022 challenged much of the common Western understanding of Russia. How can the world better understand Russia? What are the steps forward for Western policy? The Eurasia Center’s “Russia Tomorrow” series seeks to reevaluate conceptions of Russia today and better prepare for its future tomorrow.
Myanmar Satirical Journalism sits at the center of one of the most dramatic press-freedom reversals documented anywhere on this site: a media landscape that had genuinely opened during the 2011 to 2021 reform period collapsed back into severe restriction within weeks of the February 2021 military coup.
Since Russians invasian in 2022 many journalists emigrated to keep independently reporting about the war to Russians, many outlets have launched English-language versions of their publications in order to find new revenue streams to support their work, as the Russian authorities have introduced increasingly restrictive legal measures targeting support for independent media.
Strong institutions make the Baltic states global leaders in media freedom, while independent local media across the Eastern Partnership face unstable, crisis-driven funding and constrained decision-making power. This article presents a report on media development, looking at three interconnected themes: Funding, local ownership, and adaptation.
Nicaraguan independent outlet CONFIDENCIAL marks three decades of investigative journalism under growing repression. Founder and editor Carlos F. Chamorro reflects on newsroom raids, forced exile and the transformation of the outlet into a transnational newsroom. The story shows how exiled journalists adapt their work, maintain audience trust and continue reporting despite censorship.
Exiled Azerbaijani media outlets Meydan TV and AbzasMedia have won the 2026 Free Media Pioneer Award, a recognition presented by the International Press Institute (IPI) and International Media Support (IMS) to organizations advancing independent journalism and the free flow of information. The award comes at a time of unprecedented pressure on independent media in Azerbaijan.
CIVICUS discusses the repression of press freedom in Djibouti with Zineb Haddaji, an exiled independent journalist who covers Djibouti and the Horn of Africa for international outlets and documents freedom of expression violations. Zineb is the founder of ZoomIn, a weekly TikTok series on daily life and systemic issues in Djibouti.
ANEM announced that four journalists were forced to leave Serbia due to, as it states, repression by the authorities, targeting campaigns and threatened security. The reason for ANEM’s new warning was the departure of military analyst and Nedeljnik contributor Radić, who left the country after pro-government media published footage of him being tracked.
As Russian authorities tighten the screw on popular messaging app Telegram and promote a state-backed “super app” that observers say could act as a surveillance tool, independent journalists and media outlets inside and outside Russia say it will become more difficult to report stories securely and stay connected to audiences.
Information control has long been central to the Kremlin. Since Vladimir Putin took power, independent journalism has faced growing repression, accelerated after the Kursk submarine disaster (2000), the Moscow theater siege (2002), and the Beslan school hostage crisis (2004). Critical outlets were punished, steadily eroding Russia’s independent media.
Despite its persistently strong domestic record on press freedom and status as a global frontrunner in fostering free media, Finland comes up short in providing support for exiled journalists at home or abroad in recent years, according to the findings of a new report commissioned by eight Finnish freedom of expression organisations, including the IPI Finland National Committee.
RELPEX supports 457 professionals in exile or forced displacement and reports that 60% of the network’s journalists no longer work in journalism due to legal barriers or a lack of employment. A report by RSF indicates that the number of countries from which journalists go into exile has doubled in five years.
A group of Hong Kong journalists forced into exile has launched Pulse HK, an independent online media outlet publishing in Chinese. The platform aims to fill the void left by the forced shutdown of independent Hong Kong media outlets, including Apple Daily five years ago. RSF spoke with Shirley Leung, co-founder of the platform.
Nearly 1,500 journalists from at least 65 countries have received emergency support from Reporters Without Borders after being forced into exile between 2021 and 2025, due to threats of imprisonment and to their lives. This is shown by the data released June 19 ahead of World Refugee Day. Afghanistan accounted for almost half the cases.
For weeks in the spring of 2026, residents of Moscow experienced major disruption as mobile internet shutdowns which had earlier affected several Russian regions finally reached the capital. While the partial shutdowns were softened in the following weeks, internet users across Russia continued to experience serious difficulties accessing most websites…
Operating from exile in New York City, Masoumeh Alinejad-Ghomikolayi has transformed her personal rebellion against the Islamic Republic’s strict dress codes into a global human rights phenomenon. Through her prime-time television program “Tablet” on the VOA Persian network, Alinejad has become a central node in the resistance against compulsory hijab laws in Iran
In the “newsroom-house” where journalists from the CJ Platform live and work, Min Thu Win Htut, the outlet’s founder, often finds it impossible to sleep. “Around 23:00, when I stop working, it feels like the future goes dark,” Min Thu said. “It’s like I’ve arrived at a future where I don’t know what to do next. This happens almost every night.”