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When journalist Olga Churakova was declared a “foreign agent” by her own government, she had to rebuild her life in exile. She found a new sense of belonging in a community of anonymous podcast listeners. In this piece, Churakova shares with DW Akademie her story.
In Belarus, remembering has become political. Exiled journalist Olga Bubich describes how documenting grief and protest can lead to arrest, as authorities tightly control both history and the present. Her Tagesspiegel essay explores a struggle over memory, truth, and who gets to record reality.
Thomas Erdbrink’s documentary series Onze man bij de vijand about Russia primarily features Russians who support president Putin and the war in Ukraine, says journalist Pavel Kanygin, who fled his country and now lives in Amsterdam. That’s certainly not the whole story, he emphasizes in this op-ed.
Operating largely from exile after being blocked in Belarus and disrupted by the war in Ukraine, Tribuna.com has rebuilt itself as a global, remote sports media platform. The piece shows how it adapted to displacement and political pressure by combining journalism, technology, and fan communities into a resilient, product-driven media model.
The Belarus government continued systematic persecution of the independent press within the overall context of its fight against dissent in 2025. The pressure on media workers intensified on the eve of Aliaksandr Lukashenka’s election on January 26, 2025 as well as in April 2025, when the few still operating independent regional media outlets suffered from searches and crackdowns in the governmental propaganda channels.
Nastassia Rouda, director of Belarusian outlet Nasha Niva, shares how her team continues reporting from exile in Vilnius. Using creative content, humor, and social media, they stay relevant inside Belarus despite political repression and economic hardships, keeping audiences engaged and preserving free media for Belarusians across generations.
Larysa Shchyrakova from Homiel worked at Belsat almost from the very beginning, since 2008. The journalist did not have a quiet life even before 2020, but after the protests and mass repressions began, life turned into a waiting game — when will they come for her? Larysa says that when they really came, she exhaled, because she could no longer be afraid.
Journalist and propaganda expert Pavlyuk Bykovsky analyzes the role propaganda plays in the Lukashenko regime and how it has evolved since the mass protests of 2020. Bykovsky’s contribution not only helps to understand the specific principles of the Lukashenko dictatorship, but also sheds light on the general mechanisms of propaganda and disinformation.
Since Putin’s full-scale invasion of Ukraine began in February 2022, almost every independent journalist has been exiled from Russia. For more than three years, journalists in exile have tried to continue their work from afar in a concerted effort to preserve the service of truth. Ten days ago, the Kremlin added Kostyuchenko to its list of foreign agents.
Ivan Kolpakov is the editor-in-chief at Meduza, the largest independent media outlet focusing on Russia. The organization has been in exile since Kolpakov co-founded the organization in 2014 with Galina Timchenko. DW Akademie spoke to the journalist and editor about what it is like to spend more than a decade reporting on his country from abroad.
The collection tells the story of the laureates of the “Voice of the Freedom Generation” award, founded by the Belarusian PEN in partnership with the Human Rights Center “Viasna”, the Belarusian Association of Journalists, Press Club Belarus and Free Press for Eastern Europe endowment fund.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
For decades, Belarus was considered a “blank spot” on the international map of investigative journalism. Its government consistently ranks as the least open in Europe. Despite this, investigative journalism is in its best state ever, with the Belarusian Investigative Center (BIC) at the forefront.
EUvsDisinfo has published an article detailing how Lukashenka’s regime continues its harsh retaliation against Belarusians five years after the 2020 protests. The piece highlights ongoing arrests, torture, and exile as part of the government’s efforts to suppress dissent and maintain control.
Last summer, Russian authorities began throttling YouTube playback speeds, rendering the popular video platform practically unusable. This has pushed many Russians to change their media consumption habits. Meduza analyzes the current and potential consequences of the Kremlin’s ongoing campaign against YouTube.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.