JX Fund – European Fund for Journalism in Exile

It’s an understandable question. Across the sector, unrestricted funding feels harder to find than ever, especially after US aid cuts. Many organisations are juggling project grants, restricted contracts, and short-term opportunities while trying to cover the basic costs that keep operations running. This article explores new funding strategies and ongoing core support options.

Russian President Vladimir Putin signed a law allowing Russia to seize the property and bank balances of citizens living abroad before any court ruling, the Moscow Times reported. The legislation turns a single formal charge into an immediate asset freeze in absentia against exiled Kremlin critics. It takes effect on 1 September 2026.

The Kit is a collaborative, self-learning resource that makes investigative techniques and tools used by experienced investigators more accessible to people and communities who feel motivated to start their own investigations, collect and verify information, build evidence and create a better understanding of issues without losing sight of ethical or safety considerations.

The future of Russian non-governmental media, such as for Meduza and Mediazona, is uncertain as Russian media-in-exile fights against receding revenue streams, the collapse of its audience, and the declining morale of its journalists. Mediazona has lost half of its subscribers since the start of the war. However, Mediazona’s audience increased during the 2023 attempted coup.

Transnational repression is not a new phenomenon, but it is an increasingly serious global problem. This is due to the growing number of diaspora members, as a result of global crises and due to the increasingly aggressive behaviour of countries of origin. The Federal Ministry of the Interior thus published a following guidance for people affected by transnational repression.

You open a call on media development, democracy, or press freedom. It talks about resilience, sustainability, safety, and innovation. It may even mention business models, risk management, or audience trust. But it no longer speaks about journalism in the broad, idealistic terms it once did.

A number of journalists in Afghanistan say the process of reporting has become increasingly difficult. They say they live under constant fear of surveillance, arrest, and pressure by the Taliban. According to these journalists, working with exile media outlets is considered a crime by the Taliban, and journalists themselves are treated as criminals.

How can media organisations, especially those operating in exile, navigate complex employment laws and processes? How can they do so across multiple countries and unfamiliar legal jurisdictions?

TRF’s latest series of guides aim to answer the above questions. The guides below address the complexities of employment rights and of operating in exile.

Russia is increasingly branding journalists as “terrorists.” In October 2025, the state labeled Dozhd TV’s editor-in-chief a terrorist; weeks later, two more exiled media figures joined a blacklist alongside ISIS and Navalny’s organization. They are not alone — at least 60 media workers now appear on Russia’s “Terrorist and Extremist” list.

After growing up stateless in Iran, Haideh Faghiry finally found a sense of home in Kabul—until the Taliban takeover forced her to flee again. In this Tagesspiegel essay, the Afghan journalist reflects on exile, belonging and the pain of losing a homeland twice.

“People of Baikal” is an online media outlet that has been operating since 2019 in regions that other independent media outlets rarely reach – the Irkutsk and Buryatia region. The female journalists working for “People of Baikal” report on the life in small cities and villages, in which poverty and hopelessness coexist.

Several journalists working under Taliban rule have expressed concern over the intensifying crackdown on the media and the complete restriction of access to information. According to them, no media outlet under Taliban control can publish the existing realities and can only disseminate content that the Taliban permit.

Since the Taliban returned to power in August 2021, Afghan women have been pushed out of schools, workplaces, and public life with a speed that shocked the world. In a matter of days, freedoms that had taken years to build disappeared. Yet in those early weeks, before fear could fully take hold, some women stepped outside and raised their voices.

Thomas Erdbrink’s documentary series Onze man bij de vijand about Russia primarily features Russians who support president Putin and the war in Ukraine, says journalist Pavel Kanygin, who fled his country and now lives in Amsterdam. That’s certainly not the whole story, he emphasizes in this op-ed.

Censorship, recruitment attempts by the FSB, propaganda in universities, forced emigration, anonymous bylines, and financial hardship are among the manage challenges that young Russian journalists face today. Vazhnye Istory spoke with several early-career journalists about the realities of working in the profession in Russia today.

GIJN’s Global Academy is a unique hub dedicated to connect, expand, and support the journalism community around the world through key training, networking, and knowledge-sharing opportunities, such as webinars or mentorship programs. The Academy helps journalists at every stage strengthen their investigative skills, connect with peers, and continue learning.

The Global Nonprofits Guide aims to support nonprofit organizations to strengthen operations, financial access and relocation by providing an easily accessible and user-friendly platform on nonprofit laws. The support provided through the Guide is linked with potential pro bono support by lawyers as well as resource materials to help organizations gain deeper understanding of the legal aspects covered in the Guide.

Exiled Afghan journalists are keeping critical reporting alive through Amu TV and its flagship show Jan-e-Gap, broadcasting from studios in the U.S., Canada, France, and Turkey. Host Sadaf Rahimi and co-founders Lotfullah Najafizada and Sami Mahdi connect millions of Afghan viewers to open debate, exposing abuses and giving a voice to those silenced under the Taliban.