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A new survey by jinn is examining how exiled media outlets are adapting their business models and monetization strategies amid recent funding challenges. Founders and managers of displaced newsrooms are invited to share their experiences.
Larysa Shchyrakova from Homiel worked at Belsat almost from the very beginning, since 2008. The journalist did not have a quiet life even before 2020, but after the protests and mass repressions began, life turned into a waiting game — when will they come for her? Larysa says that when they really came, she exhaled, because she could no longer be afraid.
Exiled Journalist Li Bai’an writes about the inner conflict of journalists in China, who are forced to ignore the truth under state pressure but still remember why they became journalists. She urges them to recognize that their conscience is not gone, only suppressed by fear under Xi Jinping’s rule.
In late 2025, Voices From Far Away met Basma Mostafa, an Egyptian journalist who focuses on human rights violation. In 2020 she was forced to go into exile after being arrested several times. A long journey with uncertainty, loss of identity, no home and a lot of anxiety was about to come. She is one of many exile journalists, who are facing transnational repression: The threatening of a state towards people outside of their borders.
The interview is about the lack of independent media in Azerbaijan, where most people get their news only from state television, and free newspapers have been shut down. It discusses Meydan TV, an independent Azerbaijani media outlet based in Berlin, and features Matt Kasper talking about press freedom, government repression, and the role of media operating in exile.
Transnational repression (TNR), the cross-border targeting, intimidation, and harassment of journalists and human rights defenders, is increasingly undermining press freedom and human rights in Europe and beyond. Journalists in exile often remain subjects of sustained threats, surveillance, cyber-attacks, psychological pressure, and harassment long after reaching presumed safety.
The EU’s new return policy risks jeopardising the lives of vulnerable journalists and human rights defenders living in exile. As such, it undermines the very principles of press freedom and human rights it aims to uphold and the safe haven the EU seeks to provide for journalists from all over the world threatened for reporting on the truth. ECPMF and undersigning organisations urge the EU to immediately reconsider these adverse effects and prioritise the protection of those who have already fled persecution.
With our exile expertise, we want to reveal global connections and understand what we can learn from this for free, democratic coexistence. In this episode, Azerbaijani journalist Fatima Karimova writes about the repression of media workers in her homeland and why the European Union repeatedly turns a blind eye to it.
The article features an interview with Trịnh Hữu Long, a Vietnamese journalist living in exile in Taiwan. Long explains that he has spent the past nine years introducing himself as “from Vietnam, but based in Taiwan,” where he now considers home. He co-founded and works for the independent magazines Luật Khoa and The Vietnamese.
Richard Bennett, the UN Special Rapporteur on human rights in Afghanistan, has called for greater international support for Afghan journalists and media outlets, both inside the country and in exile, saying they are the primary defenders and documenters of what is happening under Taliban rule.
Syria’s nearly 14-year-long civil war has changed shape. Though there is still fighting and instability, the political transition means many who fled are beginning to return home. Yet for Sara Kontar, a Syrian photographer who has lived in France for nearly a decade, return remains impossible.
The collection tells the story of the laureates of the “Voice of the Freedom Generation” award, founded by the Belarusian PEN in partnership with the Human Rights Center “Viasna”, the Belarusian Association of Journalists, Press Club Belarus and Free Press for Eastern Europe endowment fund.
When war broke out in Sudan in April 2023, a group of young Sudanese filmmakers were forced into exile. They also had to rethink their film. Khartoum (2025) had started out a year earlier as a collection of quiet observational sketches of ordinary lives in the capital. Now, it had to be reimagined as both the storytellers and their subjects scattered across borders.
The team of the revolutionary newspaper Enab Baladi has returned to Syria. Why it is important to show a presence on the ground now is explained by co-founder Kholoud Helmi.
On a typical evening in the heart of Paris, Taha Siddiqui can be found at his bar, greeting customers and pouring drinks. During busy nights, he’s organizing events there, with an Afghan poet reading her work, anti-war Russian musicians in a punk band, or a director sharing their documentary — all, like him, finding refuge in France. But long before he became a bar owner, Siddiqui was one of Pakistan’s most high-profile investigative journalists, determined to expose corruption and government abuses. In 2018, he fled to Paris, where he has lived in exile ever since.
Since the 2020 presidential elections in Belarus, independent media have been wiped out due to severe state repression. Journalists faced arrests, raids, and newsroom destruction, forcing many into exile. Some left the profession, others continue abroad—37 media workers remain imprisoned. Journalism education has changed drastically.
For decades, Belarus was considered a “blank spot” on the international map of investigative journalism. Its government consistently ranks as the least open in Europe. Despite this, investigative journalism is in its best state ever, with the Belarusian Investigative Center (BIC) at the forefront.
The removal from the air of a second American comedian since President Donald Trump was elected in the United States should send chills down the spine of every journalist who worked in Moscow in the early 2000s. That was how President Vladimir Putin began consolidating his power — by attacking mainstream media, starting with television and, notably, TV comedians.