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Since Putin’s full-scale invasion of Ukraine began in February 2022, almost every independent journalist has been exiled from Russia. For more than three years, journalists in exile have tried to continue their work from afar in a concerted effort to preserve the service of truth. Ten days ago, the Kremlin added Kostyuchenko to its list of foreign agents.
Ivan Kolpakov is the editor-in-chief at Meduza, the largest independent media outlet focusing on Russia. The organization has been in exile since Kolpakov co-founded the organization in 2014 with Galina Timchenko. DW Akademie spoke to the journalist and editor about what it is like to spend more than a decade reporting on his country from abroad.
Amid rising global repression and shrinking donor support, understanding how exile media remain viable, independent, and impactful is increasingly urgent. The study identifies key factors that enable media organizations to adapt, survive, and continue serving their communities from abroad. It also offers practical recommendations for exile media, media development actors, donors, and policymakers.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
This research explores the gender and ethnicity-based challenges faced by Kurdish female journalists, focusing on their professional experiences in Turkey and in exile.
Said Najib Asil, founder of the Free Speech Centre and former head of Current Affairs at TOLOnews, shares his journey from leading Afghan media to supporting exiled journalists worldwide. In this interview, he discusses advocacy, training, and the urgent needs of displaced media workers facing professional, economic, and mental health challenges.
Ahmad Wali Temori fled Afghanistan in 2015 and began a new life in Berlin. Ten years after the major refugee wave, he reflects on the deep divide in his identity — between the memories of his childhood and the realities of exile.
Last summer, Russian authorities began throttling YouTube playback speeds, rendering the popular video platform practically unusable. This has pushed many Russians to change their media consumption habits. Meduza analyzes the current and potential consequences of the Kremlin’s ongoing campaign against YouTube.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
After seizing power in August 2021, the Taliban moved swiftly to impose a stifling control over Afghan society. The former constitution and legal framework were both suspended pending a “review” of their compatibility with sharia law. In their place, the Taliban have gradually installed a complex web of new laws and policies, many dictated directly by the group’s elusive supreme leader, Hibatullah Akhundzadah.
This podcast episode features a conversation with Sergey Lukashevskiy about his work as a Russian exile journalist in Germany. Having lived in Germany since 2022, he is developing “Radio Sakharov” as a media outlet for the Russian exile community. He discusses the challenges of reporting from exile, and the state of human rights and press freedom in Russia.
Born from the University of Oregon’s international symposium on journalism-in-exile, this book gathers the reflections and accounts of journalists who have faced danger, persecution, and threats to their safety due to their commitment to journalistic integrity, while also highlighting the work of advocacy groups supporting press freedom in repressive environment.
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.
A Meduza journalist working undercover in Russia describes living a double life, hiding their identity from both friends and sources. Balancing safety, fear, and the burden of secrecy, they reflect on censorship, impostor syndrome, and the emotional toll of reporting anonymously in a society where many no longer want to hear the truth.
Alesya Sokolova on how the relatively low popularity of independent media may be influenced not only by censorship but also by the choice of topics and the tone of content. While censorship remains the biggest obstacle, audience fatigue with negativity and a narrow thematic focus may also push even opposition-minded readers away.
This paper by Diana Shahbazyan aims to provide a comprehensive needs analysis of exiled journalists from Belarus and Russia. The findings provide an understanding of the key issues affecting exiled journalists and media organizations, and outline both their immediate needs and primary action points.
This study investigates the experiences of 103 Russian journalists who left their country after Russia’s 2022 invasion of Ukraine. It examines their professional environment, values, and roles as they continue their work abroad, focusing on maintaining journalistic integrity while navigating new political and cultural challenges, and the intersection of journalism and activism.