JX Fund – European Fund for Journalism in Exile

With all civil liberties stripped away in Nicaragua, independent journalism in exile has become the last stronghold of freedom to investigate and report the truth. Earlier this month, for International Journalists’ Day (September 8), we shared a special feature on Nicaraguan journalism that has resisted and overcome censorship in Nicaragua for more than seven years.

Six new Berliners from Belarus, Afghanistan, Iran, Ukraine, Sudan, and Syria open up about their journeys of escape, loss, and starting over. In the photo series Berlin Still Lifes, photographer Dzmitry Brushko captures the objects and dishes that connect them to their past and present. No faces are shown — instead, everyday items tell deeply personal stories of memory, identity, and belonging.

In 2018, the administration of Prime Minister Abiy Ahmed (PhD) ushered in an era of reform, freeing exiled media and releasing imprisoned journalists. Yet the hope that these measures promised a renaissance for journalism was short-lived. Since the outbreak of conflict in Tigray in 2020, the environment has sharply deteriorated.

How the “Journalists in Exile” program strengthens press freedom: Nazeeha Saeed explains why independent journalism should not be taken for granted. Nazeeha Saeed has lived in exile since 2016—first in Paris, now in Berlin. In her home country of Bahrain, she could no longer work as a journalist.

In an interview with Roman Gressier, editor of El Faro’s English edition, Lucy Nash explores how the Salvadoran newsroom’s investigations – including explosive gang-leader testimony – shook President Bukele’s narrative, triggered political backlash, and forced dozens of journalists into exile.

In a personal spotlight for El Faro, journalists Óscar and Carlos Martínez recount their sudden “preventive departures” following explosive reporting on Bukele’s gang ties. Planned as brief, cautious trips, these exits soon turned into forced exile. Read their emotional first-hand account of a reorganized life, halfway across the world.

Nearly one in ten people living in Spain today were born in Latin America. As migrant voices multiply, new podcasts and radio shows are emerging—not as nostalgia pieces, but as lifelines that blend homegrown news, practical survival, and cultural solidarity. What unites them isn’t just a migration story—it’s a shared belief that journalism made by migrants isn’t niche content. It’s essential.

Is reporting possible while living under persecution? When you don’t know from where you’ll be attacked, or if you will be discredited, threatened, intimidated, or forced into exile? Where the choices are sometimes as stark as choosing jail, silence, or exile?

For fourteen years, the organization operated in secrecy and exile. Team members risked their lives daily, working under bombardment and surveillance, and facing the constant threat of arrest. Three colleagues remain forcibly disappeared to this day — their absence a painful reminder of the price paid for pursuing truth under the former regime.

In his article, exiled journalist Kyaw Min Swe highlights how, in war-torn Myanmar, radio remains one of the last lifelines to factual, independent information. He warns that recent cuts to U.S. aid are threatening the survival of these crucial radio stations, putting access to truth at even greater risk for people inside the country.

With the announcement of a U.S.-brokered ceasefire between Iran and Israel (one both governments pledged to uphold conditionally, contingent on the other’s restraint), speculation has begun to shift from whether the conflict would escalate into full-scale regional war to whether this pause might create space for diplomacy, reconstruction, or even domestic reform in Iran.

For many Nicaraguans fleeing the Ortega-Murillo regime, objects carried into exile hold deep emotional value—links to the past and symbols of hope for return. This is the story of an exiled journalist and his collection of keys. He calls himself *Castro, in homage to an influential high school teacher in Managua who suggested he study journalism.

The systematic and relentless persecution orchestrated by the Ortega-Murillo regime has led to the closure, confiscation, and expulsion of hundreds of independent media outlets and journalists from the country. For many, exile has become the only way to escape censorship, threats, and physical attacks – and to continue reporting.

In a new study from DW Akademie and IPLEX, Central American women journalists in exile explain the challenges they face – and their resilience. Being a journalist in Central America is challenging enough, but the difficulties facing a journalist in exile can be even greater. For women journalists in exile in Central America, their work can be overwhelming.

Once in exile to escape threats and danger, journalists soon face a new set of challenges: how to sustain their careers, communities and reporting from afar. ICFJ’s International Journalists’ Network (IJNet), in collaboration with the Network of Exiled Media Outlets (NEMO), has expanded its Exiled Media Toolkit to include a comprehensive section on viability, produced by ICFJ Knight Fellow José J. Nieves.

Born from the University of Oregon’s international symposium on journalism-in-exile, this book gathers the reflections and accounts of journalists who have faced danger, persecution, and threats to their safety due to their commitment to journalistic integrity, while also highlighting the work of advocacy groups supporting press freedom in repressive environment.

For over four decades, Persian-language media in exile have played an influential, often contentious role in shaping public discourse about Iran. Emerging in response to the silencing of dissent and the monopolization of narratives by the Islamic Republic, these media outlets created a parallel space of dialogue and imagination.

Clavel Rangel is a journalist forcibly displaced due to her reporting in Venezuela. She didn’t go into exile with a safety net, a secured job, or a detailed plan. She left with her name, her credibility, and her conviction. As she tells it, her survival has been multifaceted, fragmented, and deeply creative.