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When war broke out in Sudan in April 2023, Basma Shams witnessed independent journalism collapse under the weight of violence and repression. Maurice Oniang’o spoke with Shams, fellow Ayin reporter Eiad Husham and the network’s managing editor, Tom Rhodes, to find out how grassroots journalism persists in one of the most dangerous countries for reporters.
Syria’s nearly 14-year-long civil war has changed shape. Though there is still fighting and instability, the political transition means many who fled are beginning to return home. Yet for Sara Kontar, a Syrian photographer who has lived in France for nearly a decade, return remains impossible.
César Batiz is the winner of the 2025 ICFJ Knight International Journalism Award. Batiz is a Venezuelan investigative journalist and co-founder of El Pitazo, which has pioneered innovative methods to bypass government control in one of the world’s most restrictive media environments.
A Venezuelan journalist in exile, César Batiz is the innovative co-founder of El Pitazo, which continues to deliver news in the face of state censorship. Batiz, who is the winner of the 2025 ICFJ Knight International Journalism Award, delivered the following remarks on Nov. 13 at the Ronald Reagan Building in Washington, DC, at the ICFJ Awards Dinner 2025.
Amid rising global repression and shrinking donor support, understanding how exile media remain viable, independent, and impactful is increasingly urgent. The study identifies key factors that enable media organizations to adapt, survive, and continue serving their communities from abroad. It also offers practical recommendations for exile media, media development actors, donors, and policymakers.
The following resolution was adopted by the members of the International Press Institute (IPI) on October 15, 2025 by unanimous vote of those present at the 74th annual General Assembly, and presented at the IPI World Congress on October 25, 2025 in Vienna, Austria. Democratic states must adopt a comprehensive approach to assisting and protecting exiled journalists so they can continue their critical mission of informing the public and holding power to account.
When war broke out in Sudan in April 2023, a group of young Sudanese filmmakers were forced into exile. They also had to rethink their film. Khartoum (2025) had started out a year earlier as a collection of quiet observational sketches of ordinary lives in the capital. Now, it had to be reimagined as both the storytellers and their subjects scattered across borders.
Polish politicians and government officials have voiced support for the Myanmar media and free speech to a delegation of Myanmar independent media houses on a recent study trip to Poland that included a workshop on disinformation and misinformation. The study trip for Myanmar independent media was supported by the Embassy of Poland in Bangkok.
The team of the revolutionary newspaper Enab Baladi has returned to Syria. Why it is important to show a presence on the ground now is explained by co-founder Kholoud Helmi.
On a typical evening in the heart of Paris, Taha Siddiqui can be found at his bar, greeting customers and pouring drinks. During busy nights, he’s organizing events there, with an Afghan poet reading her work, anti-war Russian musicians in a punk band, or a director sharing their documentary — all, like him, finding refuge in France. But long before he became a bar owner, Siddiqui was one of Pakistan’s most high-profile investigative journalists, determined to expose corruption and government abuses. In 2018, he fled to Paris, where he has lived in exile ever since.
Article on how intergovernmental organisations address the challenges faced by journalists in exile, highlighting threats like transnational repression, gaps in legal protection, and emerging support mechanisms. The United Nations Plan of Action on the Safety of Journalists and the Issue of Impunity, adopted in 2012, does not even mention journalists in exile.
This research explores the gender and ethnicity-based challenges faced by Kurdish female journalists, focusing on their professional experiences in Turkey and in exile.
The removal from the air of a second American comedian since President Donald Trump was elected in the United States should send chills down the spine of every journalist who worked in Moscow in the early 2000s. That was how President Vladimir Putin began consolidating his power — by attacking mainstream media, starting with television and, notably, TV comedians.
Several years ago, the Pakistani journalist Taha Siddiqui believed his greatest risk was being killed by his country’s military. Things have changed. “Now the threat is just a drunk person,” he says lightly, “which is easier to manage.” It’s a Friday evening in July in Paris, and Siddiqui’s bar, The Dissident Club, is about to open.
Having previously exposed abuses such as illegal mining and drug trafficking as a reporter for El Universal, Joseph Poliszuk has since led a trailblazing and courageous team as co-founder of Venezuela’s pioneering investigative journalism outlet Armando.info.
Meydan TV is one of the few independent media organisations broadcasting in Azerbaijan. With the newsroom in exile in Berlin, the team focuses on bringing the country’s corruption and sensitive human rights issues to light. Meydan’s editor-in-chief takes you through the newsroom’s darkest days, and how the EU failed to protect its interests.
In an era when traditional journalism revenues are dwindling, many exiled media outlets are rediscovering the pedagogical power of their craft — and transforming it into educational products with financial potential.
In 2015, over a million people from Syria, Afghanistan, and Iraq sought safety in Germany, including journalists. This movement reshaped politics, society, and journalism, raising new challenges. The latest “Bonjourno” podcast episode explores the experiences and challenges of exile journalism in this context.