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In his article, exiled journalist Kyaw Min Swe highlights how, in war-torn Myanmar, radio remains one of the last lifelines to factual, independent information. He warns that recent cuts to U.S. aid are threatening the survival of these crucial radio stations, putting access to truth at even greater risk for people inside the country.
For many Nicaraguans fleeing the Ortega-Murillo regime, objects carried into exile hold deep emotional value—links to the past and symbols of hope for return. This is the story of an exiled journalist and his collection of keys. He calls himself *Castro, in homage to an influential high school teacher in Managua who suggested he study journalism.
The systematic and relentless persecution orchestrated by the Ortega-Murillo regime has led to the closure, confiscation, and expulsion of hundreds of independent media outlets and journalists from the country. For many, exile has become the only way to escape censorship, threats, and physical attacks – and to continue reporting.
Once in exile to escape threats and danger, journalists soon face a new set of challenges: how to sustain their careers, communities and reporting from afar. ICFJ’s International Journalists’ Network (IJNet), in collaboration with the Network of Exiled Media Outlets (NEMO), has expanded its Exiled Media Toolkit to include a comprehensive section on viability, produced by ICFJ Knight Fellow José J. Nieves.
For over four decades, Persian-language media in exile have played an influential, often contentious role in shaping public discourse about Iran. Emerging in response to the silencing of dissent and the monopolization of narratives by the Islamic Republic, these media outlets created a parallel space of dialogue and imagination.
Clavel Rangel is a journalist forcibly displaced due to her reporting in Venezuela. She didn’t go into exile with a safety net, a secured job, or a detailed plan. She left with her name, her credibility, and her conviction. As she tells it, her survival has been multifaceted, fragmented, and deeply creative.
Lucía Pineda Ubau is the director of the news channel 100% Noticias and has been living in exile in Costa Rica since 2019. Her homeland, Nicaragua, has been under repressive rule since 2007, when President Daniel Ortega started systematically building an autocratic government, including pressuring political opponents who were increasingly criticizing him.
An AI translation tool, able to translate news content into a minority language, has proven successful for a media outlet in Greenland. This case could now inspire others to do the same. In 2023, the Danish tech startup MediaCatch developed an AI translation tool for Sermitsiaq, which is able to quickly translate news content into a minority language ignored by most big tech companies.
In this DJV-podcast episode, host Sascha Fobbe speaks with Heba Alkadri and Ahmad Shihabi about the challenges journalists with migration backgrounds face. They discuss learning German, pursuing journalism, and representing their communities. Both share their experiences from Syria, the impact of Assad’s fall, and struggles tied to refugee policies in Germany.
As the world marked World Press Freedom Day on May 3, journalists, scholars and artists gathered at the Haus am Dom cultural center in Frankfurt this week to discuss growing pressures on journalism from political repression, digital censorship and the challenges faced by journalists in exile.
Despite being forced into exile in 2018, dissident blogger Nguyen Ngoc Nhu Quynh continues to write about social justice and human rights issues concerning Vietnam. More popularly known as Me Nam or “Mother Mushroom,” she gained recognition for her posts on environmental pollution and police abuse.
On World Press Freedom Day, Global Voices turns their attention to the independent outlets operating in exile due to censorship, harassment, or direct threats. One such voice is Muwatin, a London-based independent media outlet reporting on issues from the Arabian Gulf, founded by the editor and researcher Mohammed Al-Fazari.
Mizzima News, an independent media outlet, has continued to report on Myanmar’s struggle for democracy despite the military coup in 2021. After the coup, Mizzima quickly adapted by relocating its operations to remote regions and using satellite broadcasting to bypass junta censorship.
In her article, Mahtab Qolizadeh reflects on the challenges she faces as an exiled Iranian journalist in Berlin. After fleeing Iran to escape imprisonment and torture, she hoped to find freedom and purpose in writing, but instead feels lost and disconnected in her new life. Struggling with isolation and trauma, Qolizadeh grapples with the sense that her freedom lacks meaning, and she is haunted by memories of her imprisonment.
In this special World Press Freedom Day episode of Fellowship Takeaways, a podcast by the Reuters Institute, two exiled journalists speak on covering Russia and Syria from afar. They discuss the challenges of building trust, maintaining sources’ anonymity, the emotional toll of their work and what newsrooms can do better to support journalists in exile.
Kurdish Journalism Day honors 127 years since the first Kurdish newspaper, marking a legacy of resistance and truth-telling in the face of censorship, exile, and violence. Exiled and local journalists across the Middle East continue the struggle for press freedom, using journalism as both activism and cultural preservation.
The “She Speaks Sudan” initiative has provided a critical platform for training, mentorship, and collaboration. Among its participants is Amal Mohamed Elhassan Ali, a Sudanese journalist now based in Kenya, who continues to document war crimes, human rights violations, and political struggles. In this interview, she reflects on the resilience required to report on Sudan’s conflict.
Taha Siddiqui’s haunting, inspired graphic memoir The Dissident Club: The Chronicle of a Pakistani Journalist in Exile follows his early childhood in Saudi Arabia through his career as a dissident journalist and exile from his native Pakistan. Trevor Corkum interviewed him to understand why he chose to tell his life story in the form of a graphic memoir.