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The two-day “Exiled Media Forum 2025” concluded in Hamburg, Germany, reaffirming international support for independent media operating outside their home countries. The event convened journalists, media executives, and freedom-of-expression advocates from Afghanistan, Belarus, Sudan, and other nations confronting repressive regimes.
The following resolution was adopted by the members of the International Press Institute (IPI) on October 15, 2025 by unanimous vote of those present at the 74th annual General Assembly, and presented at the IPI World Congress on October 25, 2025 in Vienna, Austria. Democratic states must adopt a comprehensive approach to assisting and protecting exiled journalists so they can continue their critical mission of informing the public and holding power to account.
When war broke out in Sudan in April 2023, a group of young Sudanese filmmakers were forced into exile. They also had to rethink their film. Khartoum (2025) had started out a year earlier as a collection of quiet observational sketches of ordinary lives in the capital. Now, it had to be reimagined as both the storytellers and their subjects scattered across borders.
Polish politicians and government officials have voiced support for the Myanmar media and free speech to a delegation of Myanmar independent media houses on a recent study trip to Poland that included a workshop on disinformation and misinformation. The study trip for Myanmar independent media was supported by the Embassy of Poland in Bangkok.
A new cooperation agreement between Amu TV and Deutsche Welle was announced on October 1, 2025, to expand access to independent journalism for Afghan audiences inside the country and abroad. The partnership will allow Amu TV, an Afghan broadcaster in the diaspora, to rebroadcast DW’s flagship program Aashiti on its free-to-air satellite channel, while also sharing DW’s news, analysis, and multimedia content across its website and social media platforms.
The team of the revolutionary newspaper Enab Baladi has returned to Syria. Why it is important to show a presence on the ground now is explained by co-founder Kholoud Helmi.
On a typical evening in the heart of Paris, Taha Siddiqui can be found at his bar, greeting customers and pouring drinks. During busy nights, he’s organizing events there, with an Afghan poet reading her work, anti-war Russian musicians in a punk band, or a director sharing their documentary — all, like him, finding refuge in France. But long before he became a bar owner, Siddiqui was one of Pakistan’s most high-profile investigative journalists, determined to expose corruption and government abuses. In 2018, he fled to Paris, where he has lived in exile ever since.
Several years ago, the Pakistani journalist Taha Siddiqui believed his greatest risk was being killed by his country’s military. Things have changed. “Now the threat is just a drunk person,” he says lightly, “which is easier to manage.” It’s a Friday evening in July in Paris, and Siddiqui’s bar, The Dissident Club, is about to open.
Meydan TV is one of the few independent media organisations broadcasting in Azerbaijan. With the newsroom in exile in Berlin, the team focuses on bringing the country’s corruption and sensitive human rights issues to light. Meydan’s editor-in-chief takes you through the newsroom’s darkest days, and how the EU failed to protect its interests.
In an era when traditional journalism revenues are dwindling, many exiled media outlets are rediscovering the pedagogical power of their craft — and transforming it into educational products with financial potential.
Said Najib Asil, founder of the Free Speech Centre and former head of Current Affairs at TOLOnews, shares his journey from leading Afghan media to supporting exiled journalists worldwide. In this interview, he discusses advocacy, training, and the urgent needs of displaced media workers facing professional, economic, and mental health challenges.
In 2015, over a million people from Syria, Afghanistan, and Iraq sought safety in Germany, including journalists. This movement reshaped politics, society, and journalism, raising new challenges. The latest “Bonjourno” podcast episode explores the experiences and challenges of exile journalism in this context.
With all civil liberties stripped away in Nicaragua, independent journalism in exile has become the last stronghold of freedom to investigate and report the truth. Earlier this month, for International Journalists’ Day (September 8), we shared a special feature on Nicaraguan journalism that has resisted and overcome censorship in Nicaragua for more than seven years.
Ahmad Wali Temori fled Afghanistan in 2015 and began a new life in Berlin. Ten years after the major refugee wave, he reflects on the deep divide in his identity — between the memories of his childhood and the realities of exile.
Six new Berliners from Belarus, Afghanistan, Iran, Ukraine, Sudan, and Syria open up about their journeys of escape, loss, and starting over. In the photo series Berlin Still Lifes, photographer Dzmitry Brushko captures the objects and dishes that connect them to their past and present. No faces are shown — instead, everyday items tell deeply personal stories of memory, identity, and belonging.
In an interview with Roman Gressier, editor of El Faro’s English edition, Lucy Nash explores how the Salvadoran newsroom’s investigations – including explosive gang-leader testimony – shook President Bukele’s narrative, triggered political backlash, and forced dozens of journalists into exile.
In a personal spotlight for El Faro, journalists Óscar and Carlos Martínez recount their sudden “preventive departures” following explosive reporting on Bukele’s gang ties. Planned as brief, cautious trips, these exits soon turned into forced exile. Read their emotional first-hand account of a reorganized life, halfway across the world.
Nearly one in ten people living in Spain today were born in Latin America. As migrant voices multiply, new podcasts and radio shows are emerging—not as nostalgia pieces, but as lifelines that blend homegrown news, practical survival, and cultural solidarity. What unites them isn’t just a migration story—it’s a shared belief that journalism made by migrants isn’t niche content. It’s essential.