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The latest episode of “Our Window to Russia” focuses on the lives of young people in Russia. What’s happening in schools and universities? How present is state propaganda in daily life? And what role do church and state play in shaping the next generation? We speak with journalist Ekaterina Martynova from DOXA.
Swissinfo asked Olga Sadovskaya, vice-chair of rights group The Crew Against TortureExternal link and vice-president of the World Organization Against TortureExternal link, to demonstrate how Russia’s digital Iron Curtain works with and without a VPN. [Spoiler: Swissinfo’s website doesn’t load in the country without one.]
In this podcast episode, we talk to Sergey Lukashevskiy about his work as a Russian exile journalist in Germany. Since 2022, he has been building “Radio Sakharov” as an exile media outlet. He discusses the challenges of exile journalism, human rights in Russia, and reporting on a country he can no longer return to.
Last summer, Russian authorities began throttling YouTube playback speeds, rendering the popular video platform practically unusable. This has pushed many Russians to change their media consumption habits. Meduza analyzes the current and potential consequences of the Kremlin’s ongoing campaign against YouTube.
The Human Rights Watch’ report, “Disrupted, Throttled, and Blocked: State Censorship, Control, and Increasing Isolation of Internet Users in Russia,” documents the impact of the government’s increasing technological capacities and control over the country’s internet infrastructure.
In a report on audience strategies, Reuters Institute journalist fellow Maria Kiseleva examines which platforms Russian exiled media use to continue reaching audiences inside the country. The report, which focuses on platform shifts and monetization strategies, also draws on research by the JX Fund.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
Authoritarianism is on the rise globally – with far-reaching consequences. More and more journalists are forced to leave their countries in order to continue their work. At the same time, states undergoing autocratisation – where once-democratic systems become increasingly authoritarian, or authoritarian regimes descend fully into autocracy – are extending their repressive tactics beyond their own borders.
The Global Forum for Media Development’s (GFMD) Mapping of media assistance and journalism support programmes in Asia, Pacific and Oceania region is a timely data-based analysis of media assistance in the Asia region between 2020-2024. It will be an important resource for stakeholders — donors, international NGOs, local civil society organisations, media, and journalists — to assess donor-based funding in the region.
Kremlin spokesman Dmitry Peskov recently gave an interview to the Russian magazine Expert about the state of the country’s media following nearly three-and-a-half years of full-scale war. Peskov said that Russia is currently experiencing “a time of wartime censorship — unprecedented for our country.”
“Before I was just seen as a journalist in exile. Now, no one in Russia wants to be linked to someone labeled a terrorist.” Armen Aramyan, DOXA Journal’s Founding Editor, speaks about his recent arrest in absentia, the spread of global authoritarianism, and the state of independent Russian media in exile.
A Russian journalist recounts returning from exile to report undercover inside Russia, navigating fear, surveillance, and censorship while challenging the overly bleak narratives often portrayed by exile media. They argue that repression is real but selective, and that the country remains socially complex and more nuanced than many abroad believe.
On June 11, at Berlin’s Kunstraum Kreuzberg/Bethanien gallery, Meduza publisher Galina Timchenko sat down with sociologist Polina Aronson for a conversation about the emotional toll of today’s news cycle — on both readers and journalists. One of the questions raised during the Q&A was how censorship is reshaping the ways newsrooms connect with their audiences.
With the closure of USAID resulting in a 25 percent cut to the world’s media development budget, independent media outlets across the world have become more vulnerable to existential threats ranging from bombings to disinformation. It is vital that the rest of the world steps up to support journalists in these trying times.
“This is evidence for the future. It’s critical to document these crimes now, even if justice is delayed,” says Maria Zholobova, a Russian journalist in exile and an ICFJ Jim Hoge Reporting Fellow, who investigated how the son of Ukraine’s ousted president allegedly profits from Ukraine’s Russian-occupied territories.
Born from the University of Oregon’s international symposium on journalism-in-exile, this book gathers the reflections and accounts of journalists who have faced danger, persecution, and threats to their safety due to their commitment to journalistic integrity, while also highlighting the work of advocacy groups supporting press freedom in repressive environment.
Inside Russia, journalists carry on working — risking arrest, surveillance, and the safety of their families, or navigating the shifting boundaries of state censorship. Meduza spoke with several of them about the constraints they face, the stories they can no longer tell, and how they view their colleagues in exile.
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.