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Coffee in the morning, fear by afternoon: an Afghan journalist works undercover for an exiled media outlet, dreading every knock at the gate. After interviewing a woman with a disability about domestic violence, she halts publication — fearing surveillance cameras could expose her identity.
At Belarus’s New Belarus conference, Media IQ’s Pavliuk Bykouski presented Press Club Belarus data (2025–26) on exiled independent media: 133 accounts across 13 newsrooms, views growing from 280M to 448M, and 31.9% of Belarusians reporting contact with independent media. The article examines what the data shows — and where it falls short.
In this podcast episode from taz Panter Stiftung’s “Freie Rede” series, jurist and writer Maxim Znak, journalist and photographer Sergei Balai, and journalist Alena discuss a law forcing exiled Belarusians to return home to renew passports—risking arrest if they do, or losing valid ID if they don’t—and its impact on those who fled after the 2020 protests.
Amu TV was born out of the collapse of Afghanistan’s media landscape, and is one of the most influential exiled media outlets serving Afghanistan today. By broadcasting via satellite from the US, the channel has bypassed Taliban censorship and reached millions of viewers inside the country, offering a rare space for uncensored news, political debate, entertainment, and more.
When an autocracy persecutes, scilences, intimidates its critics outside the country, it is referred to as transnational repression. The topic has gained prominance in recent years, as dissidents from russia and belarus have increasingly sought refuge in the EU. But regimes suppress not only activities inside their own borders, but also try to pressure ones in exile.
Websites of at least six exiled Belarusian news outlets and one journalists’ association, including Zerkalo and Reform.news, have been targeted since March by DDoS attacks, which aim to overwhelm websites with floods of internet traffic. The targeted media sites were all effectively banned from operating in Belarus after authorities labeled them “extremist” groups.
In this podcast episode of Booda Media’s “Fasl-e-Digher” program, Lina Rozbeh, a renowned Afghan poet, writer and journalists talks about women, migration, war, identity, freedom, the Taliban and the current situation and future of Afghanistan. Moreover, she discusses her experience in media and literature, the fate of women, the role of intellectuals and the responsibility of media.
A number of journalists in Afghanistan say the process of reporting has become increasingly difficult. They say they live under constant fear of surveillance, arrest, and pressure by the Taliban. According to these journalists, working with exile media outlets is considered a crime by the Taliban, and journalists themselves are treated as criminals.
In Belarus, remembering has become political. Exiled journalist Olga Bubich describes how documenting grief and protest can lead to arrest, as authorities tightly control both history and the present. Her Tagesspiegel essay explores a struggle over memory, truth, and who gets to record reality.
After growing up stateless in Iran, Haideh Faghiry finally found a sense of home in Kabul—until the Taliban takeover forced her to flee again. In this Tagesspiegel essay, the Afghan journalist reflects on exile, belonging and the pain of losing a homeland twice.
Several journalists working under Taliban rule have expressed concern over the intensifying crackdown on the media and the complete restriction of access to information. According to them, no media outlet under Taliban control can publish the existing realities and can only disseminate content that the Taliban permit.
Since the Taliban returned to power in August 2021, Afghan women have been pushed out of schools, workplaces, and public life with a speed that shocked the world. In a matter of days, freedoms that had taken years to build disappeared. Yet in those early weeks, before fear could fully take hold, some women stepped outside and raised their voices.
According to Radzivon Biahliak, chairman of the Association of Belarusians in Latvia Supolka, the main achievement of advocacy efforts so far is that Belarusian journalists have remained at LSM+. The Belarusian section’s archive has also been preserved. Additionally, stories covering life and events in the diaspora are regularly published.
Belarusian independent media-in-exile face a unique financial crisis that goes far beyond typical non-profit sustainability challenges. Cut off from their home country since 2020, these outlets face two challenges: their mission has never been more critical, yet their traditional revenue models have completely collapsed.
Operating largely from exile after being blocked in Belarus and disrupted by the war in Ukraine, Tribuna.com has rebuilt itself as a global, remote sports media platform. The piece shows how it adapted to displacement and political pressure by combining journalism, technology, and fan communities into a resilient, product-driven media model.
The Belarus government continued systematic persecution of the independent press within the overall context of its fight against dissent in 2025. The pressure on media workers intensified on the eve of Aliaksandr Lukashenka’s election on January 26, 2025 as well as in April 2025, when the few still operating independent regional media outlets suffered from searches and crackdowns in the governmental propaganda channels.
Exiled Afghan journalists are keeping critical reporting alive through Amu TV and its flagship show Jan-e-Gap, broadcasting from studios in the U.S., Canada, France, and Turkey. Host Sadaf Rahimi and co-founders Lotfullah Najafizada and Sami Mahdi connect millions of Afghan viewers to open debate, exposing abuses and giving a voice to those silenced under the Taliban.
Nastassia Rouda, director of Belarusian outlet Nasha Niva, shares how her team continues reporting from exile in Vilnius. Using creative content, humor, and social media, they stay relevant inside Belarus despite political repression and economic hardships, keeping audiences engaged and preserving free media for Belarusians across generations.