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A new report highlights how Taliban censorship, arrests, and intimidation severely threaten Afghan journalists working inside the country. Despite growing risks, many continue reporting under fear and secrecy. Journalists warn that without strong international support, independent voices in Afghanistan may soon be silenced.
Last summer, Russian authorities began throttling YouTube playback speeds, rendering the popular video platform practically unusable. This has pushed many Russians to change their media consumption habits. Meduza analyzes the current and potential consequences of the Kremlin’s ongoing campaign against YouTube.
In a report on audience strategies, Reuters Institute journalist fellow Maria Kiseleva examines which platforms Russian exiled media use to continue reaching audiences inside the country. The report, which focuses on platform shifts and monetization strategies, also draws on research by the JX Fund.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
More than 70 percent of Afghan journalists working in exile say they regularly practice self-censorship to protect sources, colleagues and family members, according to a new study released by Leipzig University. The widespread use of caution, researchers say, has come at a cost to journalistic depth and integrity.
Several journalists in Afghanistan have expressed concerns over increasing restrictions on freedom of expression and challenges in accessing information. According to them, the Taliban even refrain from providing information to journalists operating under their control. Additionally, Journalists and media operating in exile face significant obstacles in accessing information.
Kremlin spokesman Dmitry Peskov recently gave an interview to the Russian magazine Expert about the state of the country’s media following nearly three-and-a-half years of full-scale war. Peskov said that Russia is currently experiencing “a time of wartime censorship — unprecedented for our country.”
“Before I was just seen as a journalist in exile. Now, no one in Russia wants to be linked to someone labeled a terrorist.” Armen Aramyan, DOXA Journal’s Founding Editor, speaks about his recent arrest in absentia, the spread of global authoritarianism, and the state of independent Russian media in exile.
After seizing power in August 2021, the Taliban moved swiftly to impose a stifling control over Afghan society. The former constitution and legal framework were both suspended pending a “review” of their compatibility with sharia law. In their place, the Taliban have gradually installed a complex web of new laws and policies, many dictated directly by the group’s elusive supreme leader, Hibatullah Akhundzadah.
A Russian journalist recounts returning from exile to report undercover inside Russia, navigating fear, surveillance, and censorship while challenging the overly bleak narratives often portrayed by exile media. They argue that repression is real but selective, and that the country remains socially complex and more nuanced than many abroad believe.
On June 11, at Berlin’s Kunstraum Kreuzberg/Bethanien gallery, Meduza publisher Galina Timchenko sat down with sociologist Polina Aronson for a conversation about the emotional toll of today’s news cycle — on both readers and journalists. One of the questions raised during the Q&A was how censorship is reshaping the ways newsrooms connect with their audiences.
“This is evidence for the future. It’s critical to document these crimes now, even if justice is delayed,” says Maria Zholobova, a Russian journalist in exile and an ICFJ Jim Hoge Reporting Fellow, who investigated how the son of Ukraine’s ousted president allegedly profits from Ukraine’s Russian-occupied territories.
Inside Russia, journalists carry on working — risking arrest, surveillance, and the safety of their families, or navigating the shifting boundaries of state censorship. Meduza spoke with several of them about the constraints they face, the stories they can no longer tell, and how they view their colleagues in exile.
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.
This article explores how Russian opposition media, forced into exile after the 2022 crackdown, continue reaching audiences through platforms like YouTube and VPNs. It highlights their growing dependence on viewer donations, the impact of lost international funding, and the ongoing struggle to sustain independent journalism under increasing pressure.
A Meduza journalist working undercover in Russia describes living a double life, hiding their identity from both friends and sources. Balancing safety, fear, and the burden of secrecy, they reflect on censorship, impostor syndrome, and the emotional toll of reporting anonymously in a society where many no longer want to hear the truth.
The death of Alexei Navalny shocked the world and dealt another blow to Russia’s opposition. Navalny had united and mobilized many, but now the movement is divided. In exile, his allies clash with Khodorkovsky’s. Ilja Yashin fights irrelevance abroad, while in Russia, Yekaterina Duntsova resists repression at the local level.
The picture painted of Afghanistan by Amnesty International on World Press Freedom Day is bleak: the Taliban fiercely repress freedom of expression with all kinds of intimidation, arrests, torture, and media closures. A significant number of media outlets have closed due to Taliban-imposed restrictions and the economic crisis.