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Natalia Belikova of Press Club Belarus hasn’t returned home since 2019 — not even for her father’s funeral. Since Lukashenko’s 2020 crackdown, over 1,000 journalists fled into exile, facing funding gaps, cyberattacks, and fading ties to audiences back home. She discusses censorship workarounds, ongoing arrests, and what keeps Belarusian exile media going.
Afro-Cuban journalist Abraham Jiménez Enoa received the Percy Qoboza Award in Atlanta, defying the Havana regime that forced him into exile in 2021. Now living in Barcelona, separated from family, he linked press freedom to Black struggle, declaring “you cannot silence us” and dedicating the honor to colleagues still resisting inside Cuba.
Turkish journalist Doğan Ertuğrul has lived in exile in Vienna since 2016, running the critical outlet Kronos News. In July 2026, Turkey froze his assets over alleged terror links, hitting his pension too. With elections looming in 2028, Ertuğrul sees deliberate intimidation. RSF demands international solidarity for press freedom in Türkiye.
At Belarus’s New Belarus conference, Media IQ’s Pavliuk Bykouski presented Press Club Belarus data (2025–26) on exiled independent media: 133 accounts across 13 newsrooms, views growing from 280M to 448M, and 31.9% of Belarusians reporting contact with independent media. The article examines what the data shows — and where it falls short.
Journalists usually report the news, not live it. At NEMO’s latest Knowledge Exchange Session, representatives from independent exiled media organizations turned that around, reflecting on their own experience of forced relocation: rebuilding infrastructure, securing digital access, and starting over in unfamiliar countries.
In this podcast episode from taz Panter Stiftung’s “Freie Rede” series, jurist and writer Maxim Znak, journalist and photographer Sergei Balai, and journalist Alena discuss a law forcing exiled Belarusians to return home to renew passports—risking arrest if they do, or losing valid ID if they don’t—and its impact on those who fled after the 2020 protests.
Russia’s full-scale invasion of Ukraine in February 2022 challenged much of the common Western understanding of Russia. How can the world better understand Russia? What are the steps forward for Western policy? The Eurasia Center’s “Russia Tomorrow” series seeks to reevaluate conceptions of Russia today and better prepare for its future tomorrow.
Myanmar Satirical Journalism sits at the center of one of the most dramatic press-freedom reversals documented anywhere on this site: a media landscape that had genuinely opened during the 2011 to 2021 reform period collapsed back into severe restriction within weeks of the February 2021 military coup.
Since Russians invasian in 2022 many journalists emigrated to keep independently reporting about the war to Russians, many outlets have launched English-language versions of their publications in order to find new revenue streams to support their work, as the Russian authorities have introduced increasingly restrictive legal measures targeting support for independent media.
Strong institutions make the Baltic states global leaders in media freedom, while independent local media across the Eastern Partnership face unstable, crisis-driven funding and constrained decision-making power. This article presents a report on media development, looking at three interconnected themes: Funding, local ownership, and adaptation.
When an autocracy persecutes, scilences, intimidates its critics outside the country, it is referred to as transnational repression. The topic has gained prominance in recent years, as dissidents from russia and belarus have increasingly sought refuge in the EU. But regimes suppress not only activities inside their own borders, but also try to pressure ones in exile.
Exiled Azerbaijani media outlets Meydan TV and AbzasMedia have won the 2026 Free Media Pioneer Award, a recognition presented by the International Press Institute (IPI) and International Media Support (IMS) to organizations advancing independent journalism and the free flow of information. The award comes at a time of unprecedented pressure on independent media in Azerbaijan.
CIVICUS discusses the repression of press freedom in Djibouti with Zineb Haddaji, an exiled independent journalist who covers Djibouti and the Horn of Africa for international outlets and documents freedom of expression violations. Zineb is the founder of ZoomIn, a weekly TikTok series on daily life and systemic issues in Djibouti.
Websites of at least six exiled Belarusian news outlets and one journalists’ association, including Zerkalo and Reform.news, have been targeted since March by DDoS attacks, which aim to overwhelm websites with floods of internet traffic. The targeted media sites were all effectively banned from operating in Belarus after authorities labeled them “extremist” groups.
ANEM announced that four journalists were forced to leave Serbia due to, as it states, repression by the authorities, targeting campaigns and threatened security. The reason for ANEM’s new warning was the departure of military analyst and Nedeljnik contributor Radić, who left the country after pro-government media published footage of him being tracked.
As Russian authorities tighten the screw on popular messaging app Telegram and promote a state-backed “super app” that observers say could act as a surveillance tool, independent journalists and media outlets inside and outside Russia say it will become more difficult to report stories securely and stay connected to audiences.
Information control has long been central to the Kremlin. Since Vladimir Putin took power, independent journalism has faced growing repression, accelerated after the Kursk submarine disaster (2000), the Moscow theater siege (2002), and the Beslan school hostage crisis (2004). Critical outlets were punished, steadily eroding Russia’s independent media.
RELPEX supports 457 professionals in exile or forced displacement and reports that 60% of the network’s journalists no longer work in journalism due to legal barriers or a lack of employment. A report by RSF indicates that the number of countries from which journalists go into exile has doubled in five years.