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After growing up stateless in Iran, Haideh Faghiry finally found a sense of home in Kabul—until the Taliban takeover forced her to flee again. In this Tagesspiegel essay, the Afghan journalist reflects on exile, belonging and the pain of losing a homeland twice.
“People of Baikal” is an online media outlet that has been operating since 2019 in regions that other independent media outlets rarely reach – the Irkutsk and Buryatia region. The female journalists working for “People of Baikal” report on the life in small cities and villages, in which poverty and hopelessness coexist.
Since the Taliban returned to power in August 2021, Afghan women have been pushed out of schools, workplaces, and public life with a speed that shocked the world. In a matter of days, freedoms that had taken years to build disappeared. Yet in those early weeks, before fear could fully take hold, some women stepped outside and raised their voices.
Thomas Erdbrink’s documentary series Onze man bij de vijand about Russia primarily features Russians who support president Putin and the war in Ukraine, says journalist Pavel Kanygin, who fled his country and now lives in Amsterdam. That’s certainly not the whole story, he emphasizes in this op-ed.
Exiled Afghan journalists are keeping critical reporting alive through Amu TV and its flagship show Jan-e-Gap, broadcasting from studios in the U.S., Canada, France, and Turkey. Host Sadaf Rahimi and co-founders Lotfullah Najafizada and Sami Mahdi connect millions of Afghan viewers to open debate, exposing abuses and giving a voice to those silenced under the Taliban.
Alexander Udikov’s Medium blog offers personal insights into life as a Russian journalist forced into exile after persecution for anti‑war articles. Since receiving political asylum in France in 2024, Udikov chronicles daily life, bureaucratic hurdles, creative workarounds and the ongoing challenge of staying true to independent journalism beyond Russia’s censorship.
Since Putin’s full-scale invasion of Ukraine began in February 2022, almost every independent journalist has been exiled from Russia. For more than three years, journalists in exile have tried to continue their work from afar in a concerted effort to preserve the service of truth. Ten days ago, the Kremlin added Kostyuchenko to its list of foreign agents.
Ivan Kolpakov is the editor-in-chief at Meduza, the largest independent media outlet focusing on Russia. The organization has been in exile since Kolpakov co-founded the organization in 2014 with Galina Timchenko. DW Akademie spoke to the journalist and editor about what it is like to spend more than a decade reporting on his country from abroad.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
Said Najib Asil, founder of the Free Speech Centre and former head of Current Affairs at TOLOnews, shares his journey from leading Afghan media to supporting exiled journalists worldwide. In this interview, he discusses advocacy, training, and the urgent needs of displaced media workers facing professional, economic, and mental health challenges.
Ahmad Wali Temori fled Afghanistan in 2015 and began a new life in Berlin. Ten years after the major refugee wave, he reflects on the deep divide in his identity — between the memories of his childhood and the realities of exile.
After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.
From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.
A Meduza journalist working undercover in Russia describes living a double life, hiding their identity from both friends and sources. Balancing safety, fear, and the burden of secrecy, they reflect on censorship, impostor syndrome, and the emotional toll of reporting anonymously in a society where many no longer want to hear the truth.
In the article, journalist Nikita Sologub shares how independent media like Mediazona continue reporting in Russia despite mounting repression. Founded to expose abuses in the Russian prison system, Mediazona has operated for over a decade, even as press freedom has deteriorated and the state increasingly targets dissenting voices.
Claire Murphy reports on the plight of Russian journalist Lilia Yapparova, who fled to Latvia after the Kremlin’s crackdown on independent media. Yapparova, along with hundreds of other Russian journalists, has found refuge in Latvia, a country that offers crucial support through organizations like Media Hub Riga.
Exiled Russian media site IStories has shared with GIJN how it built an AI-powered database of Russian military war dead and missing, and why it was worth creating. Katya Bonch-Osmolovskaya, editor of IStories’ data department, explains how the AI was trained, what kind of data Charon can collect, and why journalists should start learning to work with neural networks.