JX Fund – European Fund for Journalism in Exile

Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.

Editors who want to improve their news output and raise the professionalism of their staff now have access to free training materials. Media Helping Media – which is hosted by the Fojo Media Institute – has 50+ free day-long training lessons and a dozen six-week course modules covering a wide variety of journalistic disciplines. All the material is completely free-of-charge.

This research explores the gender and ethnicity-based challenges faced by Kurdish female journalists, focusing on their professional experiences in Turkey and in exile.

Said Najib Asil, founder of the Free Speech Centre and former head of Current Affairs at TOLOnews, shares his journey from leading Afghan media to supporting exiled journalists worldwide. In this interview, he discusses advocacy, training, and the urgent needs of displaced media workers facing professional, economic, and mental health challenges.

Ahmad Wali Temori fled Afghanistan in 2015 and began a new life in Berlin. Ten years after the major refugee wave, he reflects on the deep divide in his identity — between the memories of his childhood and the realities of exile.

Last summer, Russian authorities began throttling YouTube playback speeds, rendering the popular video platform practically unusable. This has pushed many Russians to change their media consumption habits. Meduza analyzes the current and potential consequences of the Kremlin’s ongoing campaign against YouTube.

After the Russian full-scale invasion of Ukraine in 2022, the country reshaped its global position. While the Russian press freedom is at an all-time low, there are still some islands of independent journalism. Among them are Irina (Ira) Malkova and Peter Mironenko.

Kremlin spokesman Dmitry Peskov recently gave an interview to the Russian magazine Expert about the state of the country’s media following nearly three-and-a-half years of full-scale war. Peskov said that Russia is currently experiencing “a time of wartime censorship — unprecedented for our country.”

After seizing power in August 2021, the Taliban moved swiftly to impose a stifling control over Afghan society. The former constitution and legal framework were both suspended pending a “review” of their compatibility with sharia law. In their place, the Taliban have gradually installed a complex web of new laws and policies, many dictated directly by the group’s elusive supreme leader, Hibatullah Akhundzadah.

An AI translation tool, able to translate news content into a minority language, has proven successful for a media outlet in Greenland. This case could now inspire others to do the same. In 2023, the Danish tech startup MediaCatch developed an AI translation tool for Sermitsiaq, which is able to quickly translate news content into a minority language ignored by most big tech companies.

From April 26 to July 6, the Kunstraum Kreuzberg/Bethanien gallery in Berlin hosts “No,” an exhibition curated by Meduza that brings together artists and journalists to explore life and work in exile amid Russia’s war on Ukraine and repression at home. The launch featured a panel on censorship with Ukrainian writer Zhenia Berezhna and Meduza editor-in-chief Ivan Kolpakov.

A Meduza journalist working undercover in Russia describes living a double life, hiding their identity from both friends and sources. Balancing safety, fear, and the burden of secrecy, they reflect on censorship, impostor syndrome, and the emotional toll of reporting anonymously in a society where many no longer want to hear the truth.

“Paving the Way” is a comprehensive handbook by the European Centre for Press and Media Freedom (ECPMF), designed to support journalists in exile, particularly those relocating to Germany. It offers a curated collection of resources to help media professionals navigate their new environment, including information on legal rights, housing, language acquisition, and professional integration.

In the article, journalist Nikita Sologub shares how independent media like Mediazona continue reporting in Russia despite mounting repression. Founded to expose abuses in the Russian prison system, Mediazona has operated for over a decade, even as press freedom has deteriorated and the state increasingly targets dissenting voices.

Protecting journalism in the AI age means adopting it responsibly. This guide is intended as a starting point for ongoing conversations within your organisation on how to use AI while upholding journalistic values—accuracy, fairness, transparency, and accountability. These principles serve as essential pillars for informed communities worldwide, allowing journalism to fulfil its vital role in society.

The Entrepreneurial Journalism Playbook is a practical guide for media leaders to develop a more effective and innovative business mindset. By including real-world case studies from four countries, the Playbook demystifies entrepreneurial journalism, outlines the basics of ‘pitching’ new business ideas and other entrepreneurial tactics, and lays out different funding and financing options, including an investment guide, for media projects.

This guide has been produced with the support of UNESCO, thanks to its Global Media Defence Fund, to assist journalists – and other information professionals – when working with whistleblowers. It provides an accessible breakdown of the applicable legal framework, details the existing protections – and their limits – and offers practical advice on assessing and managing the risks involved in publicising public interest alerts.

Claire Murphy reports on the plight of Russian journalist Lilia Yapparova, who fled to Latvia after the Kremlin’s crackdown on independent media. Yapparova, along with hundreds of other Russian journalists, has found refuge in Latvia, a country that offers crucial support through organizations like Media Hub Riga.