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This portrait is about the media platform Amal, which is produced by refugee and exiled journalists in Germany and provides news in languages like Arabic, Persian, and Ukrainian. It shows how these journalists, often unable to work in traditional media due to language barriers, find new opportunities to continue their profession and serve migrant communities.
Paraguayan journalist Jazmín Acuña, co-founder of El Surtidor, reflects on building impactful journalism in challenging environments. She discusses how independent media navigate political pressure, engage audiences and measure real-world impact. Her insights highlight how journalists across Latin America adapt their work under constraints that often push reporters toward exile or cross-border collaboration.
New News CN is a solo independent news outlet launched amid China’s tightening press environment. Its founder – operating largely from outside the firewall – aims to carve out an independent Chinese‑language voice, reporting on human rights struggles and censorship while navigating severe restrictions that have forced many journalists into exile or freelance work.
This Coda Story feature shares four powerful accounts of journalists forced into exile from Venezuela, Russia, Cuba and Afghanistan, showing how repression and censorship uproot reporters and reshape their work. Despite separation from home, they continue to report – adapting methods and confronting the personal costs of exile and resilience.
This first‑person account follows a journalist with a disability as they build an independent media project in exile, navigating barriers to access, technology and audience engagement. It highlights how physical and structural challenges intersect with repression and displacement, offering insight into resilience, innovation and inclusion among exiled media practitioners.
Journalist Alma Guillermoprieto reflects on turning conflict and upheaval into lasting narratives, drawing on decades reporting across Latin America and beyond. She speaks to the emotional terrain of covering repression, displacement and forced migration, and how deep immersion and empathy help independent and exiled journalists connect fractured moments into cohesive, meaningful journalism.
In late 2025, Voices From Far Away met Basma Mostafa, an Egyptian journalist who focuses on human rights violation. In 2020 she was forced to go into exile after being arrested several times. A long journey with uncertainty, loss of identity, no home and a lot of anxiety was about to come. She is one of many exile journalists, who are facing transnational repression: The threatening of a state towards people outside of their borders.
The interview is about the lack of independent media in Azerbaijan, where most people get their news only from state television, and free newspapers have been shut down. It discusses Meydan TV, an independent Azerbaijani media outlet based in Berlin, and features Matt Kasper talking about press freedom, government repression, and the role of media operating in exile.
With our exile expertise, we want to reveal global connections and understand what we can learn from this for free, democratic coexistence. In this episode, Azerbaijani journalist Fatima Karimova writes about the repression of media workers in her homeland and why the European Union repeatedly turns a blind eye to it.
The article features an interview with Trịnh Hữu Long, a Vietnamese journalist living in exile in Taiwan. Long explains that he has spent the past nine years introducing himself as “from Vietnam, but based in Taiwan,” where he now considers home. He co-founded and works for the independent magazines Luật Khoa and The Vietnamese.
Since Putin’s full-scale invasion of Ukraine began in February 2022, almost every independent journalist has been exiled from Russia. For more than three years, journalists in exile have tried to continue their work from afar in a concerted effort to preserve the service of truth. Ten days ago, the Kremlin added Kostyuchenko to its list of foreign agents.
Ivan Kolpakov is the editor-in-chief at Meduza, the largest independent media outlet focusing on Russia. The organization has been in exile since Kolpakov co-founded the organization in 2014 with Galina Timchenko. DW Akademie spoke to the journalist and editor about what it is like to spend more than a decade reporting on his country from abroad.
Syria’s nearly 14-year-long civil war has changed shape. Though there is still fighting and instability, the political transition means many who fled are beginning to return home. Yet for Sara Kontar, a Syrian photographer who has lived in France for nearly a decade, return remains impossible.
When war broke out in Sudan in April 2023, a group of young Sudanese filmmakers were forced into exile. They also had to rethink their film. Khartoum (2025) had started out a year earlier as a collection of quiet observational sketches of ordinary lives in the capital. Now, it had to be reimagined as both the storytellers and their subjects scattered across borders.
A mission can mean many things: a diplomatic post, a military assignment, or spreading the gospel to convert nonbelievers. But journalist Ekaterina Fomina also calls her work a mission. The independent Russian reporter fled to Berlin shortly after Vladimir Putin escalated his war in February 2022. Since then, she has been reporting on Russia and Ukraine from exile.
Her investigations took her to the most dangerous places in Russia: A conversation with journalist Elena Kostyuchenko about responsibility, guilt, and her toxic relationship with her country.
The team of the revolutionary newspaper Enab Baladi has returned to Syria. Why it is important to show a presence on the ground now is explained by co-founder Kholoud Helmi.
On a typical evening in the heart of Paris, Taha Siddiqui can be found at his bar, greeting customers and pouring drinks. During busy nights, he’s organizing events there, with an Afghan poet reading her work, anti-war Russian musicians in a punk band, or a director sharing their documentary — all, like him, finding refuge in France. But long before he became a bar owner, Siddiqui was one of Pakistan’s most high-profile investigative journalists, determined to expose corruption and government abuses. In 2018, he fled to Paris, where he has lived in exile ever since.