JX Fund – European Fund for Journalism in Exile

The Taliban claim that there is freedom of the press in the country. Even Western Youtubers are allowed to come – if they report positively and adhere to strict conditions.

The Etilaat Roz was once the most widely circulated newspaper in Kabul, but everything changed in August 2021 when the Taliban seized power in Afghanistan. In this unique video diary, journalist Abbas Rezaie follows the tenacious correspondents as they continue to report the news.

In partnership with the Network of Exiled Media Outlets (NEMO) the International Journalists’ Network compiled an Exiled Media Toolkit, that brings resources to journalists and outlets established or preparing to be in exile, as they report on communities and events in their home countries.

For journalists living in exile, emotional stress and trauma cannot be discounted. Leaving one’s home is never easy, and the mental toll is more excruciating when forced to flee. Here are three levels of support to consider when looking after your mental health as a journalist in exile.

Tracking impacts is especially critical for exiled media outlets due to the distance they operate from their target audiences and home countries. While there are several analytics tools to measure different aspects of your work, it can often be overwhelming to decide which tools to use. Here’s how to consider what tools to use for measuring impact for exiled journalists.

The Editor Safety Hub is a dedicated training platform for news editors and managers, providing them with a free and efficient way to improve their safety skills and practice through self-paced courses, practical tools and resources. It is created by the ACOS Alliance and WAN-IFRA in partnership with leading safety trainers, editors and journalists.

Reporters Without Borders (RSF) is alarmed by a worrying increase in the restrictions imposed on journalists, with authoritarian directives on women journalists’ dress, restrictions on women’s access to the audiovisual media and a ban on filming or photographing Taliban officials.

A great video interview can be the heart of a powerful story, whether it’s a short news package or a feature length documentary. But setting up an on-camera interview takes preparation, finesse and a little troubleshooting. Here is some practical advice to make sure your video interview engages your audience and has real impact.

Zahra Nader ist the founder and editor-in-chief of the Afghan Magazine Zan Times. For the Institute of War & Peace Reporting she reflects on her mission and shares what helps her to keep fighting for equality and justice in Afghanistan.

In 2023, female journalists faced a disproportionate number of verbal attacks, especially online. The MFRR partners call for collaborative efforts to protect their rights and foster a society free from discrimination.

To mark International Women’s Day during a potentially tumultuous election year, GIJN’s global team spoke with women investigative journalists about their election coverage best practices.

Nadio Momand was a journalist and a law student in Afghanistan. But with the Taliban back in power, she has left her home and her dreams behind.

On 4 March the New York Times publisher A. G. Sulzberger delivered the 2024 Reuters Memorial Lecture. Here’s the transcript of his talk.

With layoffs ramping up across the media industry, reporters are trying a new model: co-operative newsrooms of their own. Will worker-owned collectives ever generate enough money to justify all the effort?

The journalism landscape in Afghanistan has undergone a significant and distressing transformation following the withdrawal of American forces from Afghanistan and the return of the Taliban to power in August 2021.

Paving the Way is a compilation of resources designed to assist journalists settling in Germany. You can discover a collection of resources curated by the European Centre for Press and Media Freedom (ECPMF) with the support of Reporters Without Borders Germany (RSF Germany), aimed at helping journalists navigate their way in Germany.

Recent research suggests that, in general, about half of the public can’t tell the difference between real and AI-generated imagery, and that voters cannot reliably detect speech deepfakes. Here’s a step-by-step process for analyzing potential audio deepfakes.

The news industry is entering a new era, and after so many failed attempts at transformation over the past two decades, we’re wrestling with the fundamental question of our time: What kind of business is journalism, and whom does it serve?