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Even in exile, Egyptian journalist Basma Mostafa cannot escape her country’s grip: surveillance, intimidation, and threats have trailed her from Cairo to Germany. In Geneva, she tells a story that exposes the growing reach of transnational repression.
How the “Journalists in Exile” program strengthens press freedom: Nazeeha Saeed explains why independent journalism should not be taken for granted. Nazeeha Saeed has lived in exile since 2016—first in Paris, now in Berlin. In her home country of Bahrain, she could no longer work as a journalist.
CPJ interviewed 10 Afghan journalists, inside and outside the country, who said that independent media, which used to reach millions of people, have largely been banned, suspended, or shuttered while key outlets have been taken over by the Taliban. None would publish their names, citing fear of reprisals.
With the Taliban in control, journalism lost its meaning. Widespread censorship, constant threats, and gender-based restrictions defined the daily lives of women journalists. Not only aspirations but also freedom of expression, job security, and even women’s physical presence in the media sphere faced serious challenges. Journalism—a profession once used to promote awareness and demand justice—became a dangerous battleground.
A new report highlights how Taliban censorship, arrests, and intimidation severely threaten Afghan journalists working inside the country. Despite growing risks, many continue reporting under fear and secrecy. Journalists warn that without strong international support, independent voices in Afghanistan may soon be silenced.
In a feature for LatAm Journalism Review, Silvia Higuera reveals how misogynistic online campaigns – from the #malqueridas hashtag to rape threats – push Central America’s women journalists further into exile. Their credibility, sources, and safety are under siege, even beyond borders.
In an interview with Roman Gressier, editor of El Faro’s English edition, Lucy Nash explores how the Salvadoran newsroom’s investigations – including explosive gang-leader testimony – shook President Bukele’s narrative, triggered political backlash, and forced dozens of journalists into exile.
The Spanish-language report ‘Displaced Voices: An X-ray of Latin American Journalistic Exile 2018–2024’ shows that a total of 913 journalists were forced to leave their countries in Latin America between 2028 and 2024. Venezuela, Nicaragua, and Cuba together account for more than 90% of all journalistic exile in the region.
From empowering exiled journalists, to sustaining watchdog journalism in fragile democracies and conflict zones, donor aid often serves as the lifeline for public interest media across the Asia-Pacific region. However, recent research led by DW Akademie reveals that donor aid is sometimes fragmented, poorly coordinated, and even unintentionally harmful.
In democratic nations, journalism plays the role of a watchdog. It questions authority, exposes corruption, and gives a voice to the voiceless. But in authoritarian states like the Islamic Republic of Iran, media is not a platform for truth—it is a platform for power.
In a personal spotlight for El Faro, journalists Óscar and Carlos Martínez recount their sudden “preventive departures” following explosive reporting on Bukele’s gang ties. Planned as brief, cautious trips, these exits soon turned into forced exile. Read their emotional first-hand account of a reorganized life, halfway across the world.
More than 70 percent of Afghan journalists working in exile say they regularly practice self-censorship to protect sources, colleagues and family members, according to a new study released by Leipzig University. The widespread use of caution, researchers say, has come at a cost to journalistic depth and integrity.
Nearly one in ten people living in Spain today were born in Latin America. As migrant voices multiply, new podcasts and radio shows are emerging—not as nostalgia pieces, but as lifelines that blend homegrown news, practical survival, and cultural solidarity. What unites them isn’t just a migration story—it’s a shared belief that journalism made by migrants isn’t niche content. It’s essential.
Several journalists in Afghanistan have expressed concerns over increasing restrictions on freedom of expression and challenges in accessing information. According to them, the Taliban even refrain from providing information to journalists operating under their control. Additionally, Journalists and media operating in exile face significant obstacles in accessing information.
With the freeze on USAGM’s funding in March, scores of Washington-based foreign reporters were suddenly left jobless or in limbo. Many of them had come to Washington not only to help report on the U.S. government for their home audiences, but also to use American free speech protections to report on corruption and repression in their own countries.
After seizing power in August 2021, the Taliban moved swiftly to impose a stifling control over Afghan society. The former constitution and legal framework were both suspended pending a “review” of their compatibility with sharia law. In their place, the Taliban have gradually installed a complex web of new laws and policies, many dictated directly by the group’s elusive supreme leader, Hibatullah Akhundzadah.
In today’s independent media ecosystem, membership programs — distinct from traditional “subscriptions” — and grassroots fundraising campaigns are becoming increasingly relevant, particularly for nonprofit outlets. The logic behind these models is simple but powerful: if you cultivate a loyal, engaged, and appreciative community, you can invite them to support your work financially.
Sudanese journalists forced into exile in Uganda are risking their safety to report on the war back home, ensuring the conflict remains in the global spotlight. Despite limitations, international support is emerging, with the Thomson Foundation offering programmes for civil society organisations and journalists in conflict zones, focusing on crisis communication, advocacy, resilience, and the disproportionate impact of conflict on women in media and civil society.