JX Fund – European Fund for Journalism in Exile

Independent Russian media in exile play a crucial role in providing audiences inside Russia with alternative information about the war and its consequences. CEPA argues that Western governments should treat these outlets as a strategic capability, supporting their access to audiences, credibility and digital infrastructure rather than undermining their efforts to challenge the Kremlin’s monopoly over information.

As journalists remain in exile for longer periods, technology is reshaping how they report, reach audiences and sustain their work across borders — while creating new vulnerabilities through surveillance, censorship and cyberattacks. At ISOJ 2026, JX Fund joined experts from IAPA, CPJ and RSF to discuss these opportunities and risks for exiled media.

A new JX Fund Country Profile examines Iran’s growing exile media sector, documenting 16 independent outlets operating abroad and reaching audiences largely inside the country. The Fix highlights how these outlets navigate censorship, internet restrictions, fragmented teams and the risks of reporting remotely, while also facing threats from Iran beyond its borders.

Three years after being investigated for covering José Rubén Zamora’s trial, former elPeriódico journalists can legally return to Guatemala. But with courts closing the case and little else changed, four remain in exile, saying the state still owes them guarantees, reparations, and an apology before they’ll come home.

Far from home, exiled newsrooms face a daily balancing act. Amu TV and Kashmir Times editors describe how they verify facts without being on the ground, protect sources under surveillance and authoritarian threat, and guard hard-won credibility—choosing to delay stories, embrace anonymity, and admit mistakes rather than risk lives or trust.

Five years after the Taliban’s takeover, research organizations and countless other Afghan-led networks persist—training scholars, running underground classrooms, providing legal aid by phone. With NED support, over a thousand partners were evacuated to safety. Despite erasure from public life, Afghan women and civic leaders continue building the foundations for their country’s future.

Natalia Belikova of Press Club Belarus hasn’t returned home since 2019 — not even for her father’s funeral. Since Lukashenko’s 2020 crackdown, over 1,000 journalists fled into exile, facing funding gaps, cyberattacks, and fading ties to audiences back home. She discusses censorship workarounds, ongoing arrests, and what keeps Belarusian exile media going.

Afro-Cuban journalist Abraham Jiménez Enoa received the Percy Qoboza Award in Atlanta, defying the Havana regime that forced him into exile in 2021. Now living in Barcelona, separated from family, he linked press freedom to Black struggle, declaring “you cannot silence us” and dedicating the honor to colleagues still resisting inside Cuba.

Turkish journalist Doğan Ertuğrul has lived in exile in Vienna since 2016, running the critical outlet Kronos News. In July 2026, Turkey froze his assets over alleged terror links, hitting his pension too. With elections looming in 2028, Ertuğrul sees deliberate intimidation. RSF demands international solidarity for press freedom in Türkiye.

Coffee in the morning, fear by afternoon: an Afghan journalist works undercover for an exiled media outlet, dreading every knock at the gate. After interviewing a woman with a disability about domestic violence, she halts publication — fearing surveillance cameras could expose her identity.

At Belarus’s New Belarus conference, Media IQ’s Pavliuk Bykouski presented Press Club Belarus data (2025–26) on exiled independent media: 133 accounts across 13 newsrooms, views growing from 280M to 448M, and 31.9% of Belarusians reporting contact with independent media. The article examines what the data shows — and where it falls short.

Journalists usually report the news, not live it. At NEMO’s latest Knowledge Exchange Session, representatives from independent exiled media organizations turned that around, reflecting on their own experience of forced relocation: rebuilding infrastructure, securing digital access, and starting over in unfamiliar countries.

Since Russia’s crackdown drove over 2,000 journalists into exile, more than 90 outlets now depend on YouTube, Telegram and other Big Tech platforms to reach audiences. This research examines how opaque AI algorithms shape their visibility—and how exiled media, in turn, try to exploit those same algorithmic biases to survive.

In this podcast episode from taz Panter Stiftung’s “Freie Rede” series, jurist and writer Maxim Znak, journalist and photographer Sergei Balai, and journalist Alena discuss a law forcing exiled Belarusians to return home to renew passports—risking arrest if they do, or losing valid ID if they don’t—and its impact on those who fled after the 2020 protests.

Russia’s full-scale invasion of Ukraine in February 2022 challenged much of the common Western understanding of Russia. How can the world better understand Russia? What are the steps forward for Western policy? The Eurasia Center’s “Russia Tomorrow” series seeks to reevaluate conceptions of Russia today and better prepare for its future tomorrow.

Myanmar Satirical Journalism sits at the center of one of the most dramatic press-freedom reversals documented anywhere on this site: a media landscape that had genuinely opened during the 2011 to 2021 reform period collapsed back into severe restriction within weeks of the February 2021 military coup.

Clare Cook and David Lush explore how exiled media managers keep organisations running through repeated forced relocations. Drawing on workshops and interviews with exiled media leaders, they map five stages of instability and apply mixed embeddedness theory to show how support for exiled media can be strengthened.

Since Russians invasian in 2022 many journalists emigrated to keep independently reporting about the war to Russians, many outlets have launched English-language versions of their publications in order to find new revenue streams to support their work, as the Russian authorities have introduced increasingly restrictive legal measures targeting support for independent media.