Diary of a Journalist in Exile
- Diary of a Journalist in Exile
“A blogger and journalist from Russia. Left the country due to persecution for anti-war articles. Received political asylum in France. I write about my new life.”
Filter by Topics
Filter by Tags
40 of 747
“A blogger and journalist from Russia. Left the country due to persecution for anti-war articles. Received political asylum in France. I write about my new life.”
Defending trustworthy news means knowing how to counter the propaganda tactics that oppose reliable reporting to further ideological goals. To this end, Reporters Without Borders (RSF) has published a new report compiling all the content from The Propaganda Monitor, a website dedicated to exposing the way propaganda and disinformation operate so they can be tackled.
Kremlin spokesman Dmitry Peskov recently gave an interview to the Russian magazine Expert about the state of the country’s media following nearly three-and-a-half years of full-scale war. Peskov said that Russia is currently experiencing “a time of wartime censorship — unprecedented for our country.”
In the article, journalist Nikita Sologub shares how independent media like Mediazona continue reporting in Russia despite mounting repression. Founded to expose abuses in the Russian prison system, Mediazona has operated for over a decade, even as press freedom has deteriorated and the state increasingly targets dissenting voices.
At the 2025 International Journalism Festival in Perugia, Nick Slater spoke with Oleg Grigorenko, Editor-in-Chief of exiled Russian outlet 7×7 Horizontal Media, about how they’re using AI to fight news fatigue and reach Russian audiences with vital, independent reporting.
Claire Murphy reports on the plight of Russian journalist Lilia Yapparova, who fled to Latvia after the Kremlin’s crackdown on independent media. Yapparova, along with hundreds of other Russian journalists, has found refuge in Latvia, a country that offers crucial support through organizations like Media Hub Riga.
Exiled Russian media site IStories has shared with GIJN how it built an AI-powered database of Russian military war dead and missing, and why it was worth creating. Katya Bonch-Osmolovskaya, editor of IStories’ data department, explains how the AI was trained, what kind of data Charon can collect, and why journalists should start learning to work with neural networks.
Benjamin Quénelle reports about the efforts of Russian journalists in exile who are discreetly training young reporters still living under the country’s oppressive media landscape. Despite the risks, these aspiring journalists are determined to pursue fair and honest reporting, even as Russia ranks 162nd globally for press freedom.
Since March 2022, The Moscow Times has had to operate in exile from Amsterdam. Like dozens of other exile media outlets, it endures impossible conditions and high security risks to be a beacon of hope. A visit to the newsroom.
Lilia Yapparova explores the crisis within Russia’s exiled opposition three years into the war, as internal divisions and the death of Alexey Navalny leave many anti-war Russians feeling disillusioned and unrepresented. She examines the movement’s fragmentation, the challenges faced by its leaders in exile, and the uncertain future of Russia’s pro-democracy forces.
Russia’s Federal Security Service (FSB) has designated the independent media outlet Komi Daily as a “terrorist organization”. This marks the first time the FSB has applied such a label to a media outlet. The Supreme Court finalized the designation in late December, intensifying Russia’s suppression of dissenting voices, particularly the independent media critical of the Kremlin.
As Vladimir Putin’s regime tightens its grip on free speech, the Russian Independent Media Archive (RIMA) is stepping up to preserve endangered journalism. With backing from PEN America and Bard College, RIMA safeguards independent media, ensuring critical journalism outlasts authoritarian attempts to erase it.
Over the past year, Russia has done more than simply refine its already deeply repressive system – it is currently in the middle of building a new model of digital censorship, spending hundreds of millions of dollars on top of its already bloated propaganda budgets to ensure its people are fully isolated from independent and objective voices. One of the Kremlin’s most important targets: Russian independent media in exile.
A new generation of Russian writers in exile is reviving Soviet-era tactics to outsmart Putin’s censorship. Through digital publishing, they’re documenting the war in Ukraine and government repression, reaching thousands back home with uncensored stories Russian authorities try to suppress.
As Russian independent media continues to face severe censorship following the invasion of Ukraine, the Russian Independent Media Archive (RIMA) is stepping in to preserve critical journalism for future generations. Co-founded by renowned journalist Masha Gessen and historian Ilia Venyavkin, RIMA aims to protect the work of over 55 independent media outlets from disappearing under the weight of state repression.
With beabee for media in exile, funded by MIZ Babelsberg, a team from German independent newsroom CORRECTIV and Russian podcast platform Radio Sakharov set out to develop a membership and community platform designed especially for the needs of media in exile. Using the existing open source platform beabee, the team implemented additional features to enhance security for users in countries like Russia and facilitate (anonymous) engagement.
Russia’s censorship following its 2022 invasion of Ukraine not only led to the blocking of numerous independent Russian media outlets but also social media platforms popular with their audiences. For the Fix Veronica Snoj wrote down how exiled publishers serve audiences on new platforms and educate them on tools to bypass censorship.
As an exiled media outlet addressing Russian audiences, Meduza quickly fell under the Kremlin’s radar. It became one of the first media outlets the Russian authorities added to its “foreign agent” list in April 2021. For The Fix Veronica Snoj took a look at the tools the Latvia-based media outlet uses to reach its audiences in Russia.