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Transnational repression doesn’t just work through direct attacks. It also works by slowly making your life more complicated. By wearing you down. By forcing you to be constantly on guard. By making you perceive even everyday situations differently. An unknown caller. A message. Someone who suddenly asks too many questions.
When journalist Olga Churakova was declared a “foreign agent” by her own government, she had to rebuild her life in exile. She found a new sense of belonging in a community of anonymous podcast listeners. In this piece, Churakova shares with DW Akademie her story.
Five years into Myanmar’s civil war, the journalists covering it are running out of money. After the 2021 coup wiped out domestic revenue, exiled newsrooms in Thailand became dependent on foreign aid — now slashed. Today, founders drive taxis, reporters run food stalls, and a million views on Facebook earns less than $50. A crisis is quietly silencing independent coverage of one of Asia’s bloodiest conflicts.
In Belarus, remembering has become political. Exiled journalist Olga Bubich describes how documenting grief and protest can lead to arrest, as authorities tightly control both history and the present. Her Tagesspiegel essay explores a struggle over memory, truth, and who gets to record reality.
After growing up stateless in Iran, Haideh Faghiry finally found a sense of home in Kabul—until the Taliban takeover forced her to flee again. In this Tagesspiegel essay, the Afghan journalist reflects on exile, belonging and the pain of losing a homeland twice.
Turkey is slipping fast down the Reporters without Borders (RSF) ‘s World Press Freedom Index. The country is now ranked 159th out of 180. But while some journalists languish in prison, many more, have been forced to leave the country. Their destinations range from Greece and Switzerland to other European countries, as well as neighbouring regions such as Armenia and the Kurdistan Region of Iraq.
Founded in 2016 by young civil society members in Azerbaijan, Abzas Media was created to report on issues that are often ignored or suppressed in state-controlled media, including corruption, misuse of public resources, and human rights violations. Independent journalism in the country has been put under severe pressure, yet Abzas Media has continued reporting from exile, driven by the belief that independent journalism is as essential as ever.
Since the Taliban returned to power in August 2021, Afghan women have been pushed out of schools, workplaces, and public life with a speed that shocked the world. In a matter of days, freedoms that had taken years to build disappeared. Yet in those early weeks, before fear could fully take hold, some women stepped outside and raised their voices.
Thomas Erdbrink’s documentary series Onze man bij de vijand about Russia primarily features Russians who support president Putin and the war in Ukraine, says journalist Pavel Kanygin, who fled his country and now lives in Amsterdam. That’s certainly not the whole story, he emphasizes in this op-ed.
Operating largely from exile after being blocked in Belarus and disrupted by the war in Ukraine, Tribuna.com has rebuilt itself as a global, remote sports media platform. The piece shows how it adapted to displacement and political pressure by combining journalism, technology, and fan communities into a resilient, product-driven media model.
This portrait is about the media platform Amal, which is produced by refugee and exiled journalists in Germany and provides news in languages like Arabic, Persian, and Ukrainian. It shows how these journalists, often unable to work in traditional media due to language barriers, find new opportunities to continue their profession and serve migrant communities.
Paraguayan journalist Jazmín Acuña, co-founder of El Surtidor, reflects on building impactful journalism in challenging environments. She discusses how independent media navigate political pressure, engage audiences and measure real-world impact. Her insights highlight how journalists across Latin America adapt their work under constraints that often push reporters toward exile or cross-border collaboration.
Nastassia Rouda, director of Belarusian outlet Nasha Niva, shares how her team continues reporting from exile in Vilnius. Using creative content, humor, and social media, they stay relevant inside Belarus despite political repression and economic hardships, keeping audiences engaged and preserving free media for Belarusians across generations.
New News CN is a solo independent news outlet launched amid China’s tightening press environment. Its founder – operating largely from outside the firewall – aims to carve out an independent Chinese‑language voice, reporting on human rights struggles and censorship while navigating severe restrictions that have forced many journalists into exile or freelance work.
This Coda Story feature shares four powerful accounts of journalists forced into exile from Venezuela, Russia, Cuba and Afghanistan, showing how repression and censorship uproot reporters and reshape their work. Despite separation from home, they continue to report – adapting methods and confronting the personal costs of exile and resilience.
This first‑person account follows a journalist with a disability as they build an independent media project in exile, navigating barriers to access, technology and audience engagement. It highlights how physical and structural challenges intersect with repression and displacement, offering insight into resilience, innovation and inclusion among exiled media practitioners.
Journalist Alma Guillermoprieto reflects on turning conflict and upheaval into lasting narratives, drawing on decades reporting across Latin America and beyond. She speaks to the emotional terrain of covering repression, displacement and forced migration, and how deep immersion and empathy help independent and exiled journalists connect fractured moments into cohesive, meaningful journalism.
Larysa Shchyrakova from Homiel worked at Belsat almost from the very beginning, since 2008. The journalist did not have a quiet life even before 2020, but after the protests and mass repressions began, life turned into a waiting game — when will they come for her? Larysa says that when they really came, she exhaled, because she could no longer be afraid.