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The Taliban’s new law on the “Propagation of Virtue and the Prevention of Vice” bans journalists from publishing or broadcasting content the de facto government believes violates Sharia law or insults Muslims. Article 17 describes several restrictions on the media, including a ban on publishing or broadcasting images of living people and animals which the Taliban consider unislamic.
Afghan media in exile remain economically fragile, even though they are a widely followed source of information, according to a report by the think tank for media professionals, The Fix, and the support fund for journalism in exile, JX Fund, created in 2022 by Reporters Without Borders (RSF) and its partners.
Reporters Without Borders (RSF) has launched a new online training course for exiled journalists, in partnership with the National Council for the Training of Journalists (NCTJ). The free e-learning course, which covers areas like UK media law, public affairs, writing styles and an introduction to the UK media industry, will help journalists forced to relocate to continue reporting.
It is estimated that, nearly 2000 journalists have left Afghanistan since the Taliban took power in 2021. Many sought asylum in Europe and North America, while others settled in Afghanistan’s neighbouring countries. Despite severe challenges Afghan reporters in exile remain committed to keeping the flow of independent news from their homeland alive.
When the Taliban took power three years ago, the previously thriving Afghan media landscape collapsed. Many journalists were forced to leave the country and now work remotely. Others have stayed and continue their work despite all dangers. How do editorial teams in exile deal with the challenge of accessing sources on the ground?
Small newsrooms need to focus on the importance of data use more than ever. But they often face numerous hurdles to this kind of work, including a lack of funding, limited human resources, and outdated thinking about what constitutes traditional journalism.
Journalists today are often primary targets of online harassment, trolling, doxxing, hacking and spyware. In addition to abuse from anonymous users online, they are also subject to surveillance, intimidation and persecution by powerful entities like large corporations, legal and local authorities, or the state machinery at large.
The Taliban claim that there is freedom of the press in the country. Even Western Youtubers are allowed to come – if they report positively and adhere to strict conditions.
The Etilaat Roz was once the most widely circulated newspaper in Kabul, but everything changed in August 2021 when the Taliban seized power in Afghanistan. In this unique video diary, journalist Abbas Rezaie follows the tenacious correspondents as they continue to report the news.
For journalists living in exile, emotional stress and trauma cannot be discounted. Leaving one’s home is never easy, and the mental toll is more excruciating when forced to flee. Here are three levels of support to consider when looking after your mental health as a journalist in exile.
Reporters Without Borders (RSF) is alarmed by a worrying increase in the restrictions imposed on journalists, with authoritarian directives on women journalists‘ dress, restrictions on women’s access to the audiovisual media and a ban on filming or photographing Taliban officials.
In 2023, female journalists faced a disproportionate number of verbal attacks, especially online. The MFRR partners call for collaborative efforts to protect their rights and foster a society free from discrimination.
On 4 March the New York Times publisher A. G. Sulzberger delivered the 2024 Reuters Memorial Lecture. Here’s the transcript of his talk.
Paving the Way is a compilation of resources designed to assist journalists settling in Germany. You can discover a collection of resources curated by the European Centre for Press and Media Freedom (ECPMF) with the support of Reporters Without Borders Germany (RSF Germany), aimed at helping journalists navigate their way in Germany.
Recent research suggests that, in general, about half of the public can’t tell the difference between real and AI-generated imagery, and that voters cannot reliably detect speech deepfakes. Here’s a step-by-step process for analyzing potential audio deepfakes.